This is the Balkans: Constructing positive Stereotypes about the Balkans and Autobalkanism
Ово је Балкан: Конструисање позитивних стереотипа о Балкану и аутобалканизам
Конференцијски прилог (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
This paper deals with ‘Balkan music’, a specific sound notion of an imaginary place of the ‘European inner Other’. It emphasizes a very significant role of music in the process of creating stereotypic images about the Balkans. The paper points to current acceptation and adoption of the socalled positive stereotypes that represent the Balkans as the European corner for fun and a place of exaggerated passion. By means of this process, the products of popular culture in Serbia are being converted into cultural resources leading to autobalkanism, i.e., understanding of self as a member of the Balkan culture as seen from the Western perspective. As an example of the mentioned adoption and use of stereotypes in representing own national identity combined with the Western identity, this paper analyzes the song Ovo je Balkan (This is the Balkans / Balkañeros), composed by Goran Bregovi=, as well as media coverage related to it.
Кључне речи:
Balkans / ‘Eurovision song contest’ / Goran Bregović / autobalkanismИзвор:
Музичке праксе Балкана: Етномузиколошке перспективе / Musical Practices in the Balkans: Ethnomusicological Perspectives, 2012, 345-356Издавач:
- Београд : Одељење ликовне и музичке уметности Српске академије наука и уметности
- Београд : Музиколошки институт Српске академије наука и уметности
Финансирање / пројекти:
- Идентитети српске музике од локалних до глобалних оквира: традиције, промене, изазови (RS-MESTD-Basic Research (BR or ON)-177004)
- Идентитети српске музике од локалних до глобалних оквира: традиције, промене, изазови (RS-MESTD-Basic Research (BR or ON)-177004)
Напомена:
- Зборник радова са научног скупа одржаног од 23. до 25. новембра 2011. године у Београду; Научни скупови, књига CXLII, Одељење ликовне и музичке уметности, књига 8.
- The Serbian version of the same paper: https://hdl.handle.net/21.15107/rcub_dais_4747
URI
http://www.music.sanu.ac.rs/MPB_DVD/M.%20Dumnic/Ovo%20je%20Balkan.pdfhttps://dais.sanu.ac.rs/123456789/4811
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - CONF AU - Думнић, Марија PY - 2012 UR - http://www.music.sanu.ac.rs/MPB_DVD/M.%20Dumnic/Ovo%20je%20Balkan.pdf UR - https://dais.sanu.ac.rs/123456789/4811 AB - This paper deals with ‘Balkan music’, a specific sound notion of an imaginary place of the ‘European inner Other’. It emphasizes a very significant role of music in the process of creating stereotypic images about the Balkans. The paper points to current acceptation and adoption of the socalled positive stereotypes that represent the Balkans as the European corner for fun and a place of exaggerated passion. By means of this process, the products of popular culture in Serbia are being converted into cultural resources leading to autobalkanism, i.e., understanding of self as a member of the Balkan culture as seen from the Western perspective. As an example of the mentioned adoption and use of stereotypes in representing own national identity combined with the Western identity, this paper analyzes the song Ovo je Balkan (This is the Balkans / Balkañeros), composed by Goran Bregovi=, as well as media coverage related to it. PB - Београд : Одељење ликовне и музичке уметности Српске академије наука и уметности PB - Београд : Музиколошки институт Српске академије наука и уметности C3 - Музичке праксе Балкана: Етномузиколошке перспективе / Musical Practices in the Balkans: Ethnomusicological Perspectives T1 - This is the Balkans: Constructing positive Stereotypes about the Balkans and Autobalkanism VL - 345-356 UR - https://hdl.handle.net/21.15107/rcub_dais_4811 ER -
@conference{ author = "Думнић, Марија", year = "2012", abstract = "This paper deals with ‘Balkan music’, a specific sound notion of an imaginary place of the ‘European inner Other’. It emphasizes a very significant role of music in the process of creating stereotypic images about the Balkans. The paper points to current acceptation and adoption of the socalled positive stereotypes that represent the Balkans as the European corner for fun and a place of exaggerated passion. By means of this process, the products of popular culture in Serbia are being converted into cultural resources leading to autobalkanism, i.e., understanding of self as a member of the Balkan culture as seen from the Western perspective. As an example of the mentioned adoption and use of stereotypes in representing own national identity combined with the Western identity, this paper analyzes the song Ovo je Balkan (This is the Balkans / Balkañeros), composed by Goran Bregovi=, as well as media coverage related to it.", publisher = "Београд : Одељење ликовне и музичке уметности Српске академије наука и уметности, Београд : Музиколошки институт Српске академије наука и уметности", journal = "Музичке праксе Балкана: Етномузиколошке перспективе / Musical Practices in the Balkans: Ethnomusicological Perspectives", title = "This is the Balkans: Constructing positive Stereotypes about the Balkans and Autobalkanism", volume = "345-356", url = "https://hdl.handle.net/21.15107/rcub_dais_4811" }
Думнић, М.. (2012). This is the Balkans: Constructing positive Stereotypes about the Balkans and Autobalkanism. in Музичке праксе Балкана: Етномузиколошке перспективе / Musical Practices in the Balkans: Ethnomusicological Perspectives Београд : Одељење ликовне и музичке уметности Српске академије наука и уметности., 345-356. https://hdl.handle.net/21.15107/rcub_dais_4811
Думнић М. This is the Balkans: Constructing positive Stereotypes about the Balkans and Autobalkanism. in Музичке праксе Балкана: Етномузиколошке перспективе / Musical Practices in the Balkans: Ethnomusicological Perspectives. 2012;345-356. https://hdl.handle.net/21.15107/rcub_dais_4811 .
Думнић, Марија, "This is the Balkans: Constructing positive Stereotypes about the Balkans and Autobalkanism" in Музичке праксе Балкана: Етномузиколошке перспективе / Musical Practices in the Balkans: Ethnomusicological Perspectives, 345-356 (2012), https://hdl.handle.net/21.15107/rcub_dais_4811 .