Улазак у Коларчеву задужбину: културна делатност и музичка публика
The Entry to Kolarac Foundation: Cultural Activity and Music Audience
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Неприкосновеној репутацији коју је у читавом региону стекла Задужбина Илије Милосављевића Коларца (позната још и под именом Коларчева задужбина) у Београду (основана 1878. године) допринели су квалитет и разноврсност програма, очување традиције и подстицај за нове идеје у свим доменима уметности и науке. Музичка понуда
Коларчеве задужбине жанровски је веома разнолика и богата. Рад је
усмерен на анализу профила музичке публике која посећује концерте
у Великој дворани кроз приказ њених основних социо-демографских
особина и музичких активности.
The Foundation of Ilija Milosavljević Kolarac (also known as Kolarac Foundation;
in Serbian: Kolarčeva zadužbina) was established simultaneously with the development
of the most important modern cultural institutions in Serbia in the 19th century. The quality
and diversity of the program, the ability to recognize important topics in the current time,
as well as preservation of the old and encouragement of new ideas in almost all domains
of art and science have contributed to its unquestionable reputation throughout the region.
However, there have been no significant academic attempts to approach its work analytically and, in particular, its audience.
The aim of this paper is to give an overview of the work of Kolarac Foundation by
presenting the origin and history of the institution, followed by an analysis of the program
of all its activities in the first ten seasons of the new millennium. The central part of the
paper is an analysis of its cultural activity in the given per...iod. Finally, by using empirical
data, the music audience of Great Hall (Velika Dvorana) of Kolarac Foundation is profiled
through its basic socio-demographic characteristics and music practices.
The music audience mainly consisted of women, highly educated professionals with
a high material standard. The share of the oldest and those from 21 to 30 years old is the
highest and, at the same time, equal. This audience is authentically fond of music, with no
exceptions at all. Its members listen to music on everyday basis, and they were attending
concerts in the year before the investigation. They find music to be an inevitable part of
their lives, and cannot imagine emotional expression or making friendships without it.
Finally, they sincerely like coming to Kolarac Foundation since they find it to be a place
that has all the positive treats of a good cultural institution.
Кључне речи:
Коларчева задужбина / културна делатност / програм / музичка публикаИзвор:
Музикологија / Musicology, 2016, 21, 157-173Издавач:
- Београд : Музиколошки институт Српске академије наука и уметности
URI
http://www.doiserbia.nb.rs/img/doi/1450-9814/2016/1450-98141621157H.pdfhttps://dais.sanu.ac.rs/123456789/3780
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - JOUR AU - Хаџибулић, Сабина PY - 2016 UR - http://www.doiserbia.nb.rs/img/doi/1450-9814/2016/1450-98141621157H.pdf UR - https://dais.sanu.ac.rs/123456789/3780 AB - Неприкосновеној репутацији коју је у читавом региону стекла Задужбина Илије Милосављевића Коларца (позната још и под именом Коларчева задужбина) у Београду (основана 1878. године) допринели су квалитет и разноврсност програма, очување традиције и подстицај за нове идеје у свим доменима уметности и науке. Музичка понуда Коларчеве задужбине жанровски је веома разнолика и богата. Рад је усмерен на анализу профила музичке публике која посећује концерте у Великој дворани кроз приказ њених основних социо-демографских особина и музичких активности. AB - The Foundation of Ilija Milosavljević Kolarac (also known as Kolarac Foundation; in Serbian: Kolarčeva zadužbina) was established simultaneously with the development of the most important modern cultural institutions in Serbia in the 19th century. The quality and diversity of the program, the ability to recognize important topics in the current time, as well as preservation of the old and encouragement of new ideas in almost all domains of art and science have contributed to its unquestionable reputation throughout the region. However, there have been no significant academic attempts to approach its work analytically and, in particular, its audience. The aim of this paper is to give an overview of the work of Kolarac Foundation by presenting the origin and history of the institution, followed by an analysis of the program of all its activities in the first ten seasons of the new millennium. The central part of the paper is an analysis of its cultural activity in the given period. Finally, by using empirical data, the music audience of Great Hall (Velika Dvorana) of Kolarac Foundation is profiled through its basic socio-demographic characteristics and music practices. The music audience mainly consisted of women, highly educated professionals with a high material standard. The share of the oldest and those from 21 to 30 years old is the highest and, at the same time, equal. This audience is authentically fond of music, with no exceptions at all. Its members listen to music on everyday basis, and they were attending concerts in the year before the investigation. They find music to be an inevitable part of their lives, and cannot imagine emotional expression or making friendships without it. Finally, they sincerely like coming to Kolarac Foundation since they find it to be a place that has all the positive treats of a good cultural institution. PB - Београд : Музиколошки институт Српске академије наука и уметности T2 - Музикологија / Musicology T1 - Улазак у Коларчеву задужбину: културна делатност и музичка публика T1 - The Entry to Kolarac Foundation: Cultural Activity and Music Audience SP - 157 EP - 173 IS - 21 DO - 10.2298/MUZ1621157H UR - https://hdl.handle.net/21.15107/rcub_dais_3780 ER -
@article{ author = "Хаџибулић, Сабина", year = "2016", abstract = "Неприкосновеној репутацији коју је у читавом региону стекла Задужбина Илије Милосављевића Коларца (позната још и под именом Коларчева задужбина) у Београду (основана 1878. године) допринели су квалитет и разноврсност програма, очување традиције и подстицај за нове идеје у свим доменима уметности и науке. Музичка понуда Коларчеве задужбине жанровски је веома разнолика и богата. Рад је усмерен на анализу профила музичке публике која посећује концерте у Великој дворани кроз приказ њених основних социо-демографских особина и музичких активности., The Foundation of Ilija Milosavljević Kolarac (also known as Kolarac Foundation; in Serbian: Kolarčeva zadužbina) was established simultaneously with the development of the most important modern cultural institutions in Serbia in the 19th century. The quality and diversity of the program, the ability to recognize important topics in the current time, as well as preservation of the old and encouragement of new ideas in almost all domains of art and science have contributed to its unquestionable reputation throughout the region. However, there have been no significant academic attempts to approach its work analytically and, in particular, its audience. The aim of this paper is to give an overview of the work of Kolarac Foundation by presenting the origin and history of the institution, followed by an analysis of the program of all its activities in the first ten seasons of the new millennium. The central part of the paper is an analysis of its cultural activity in the given period. Finally, by using empirical data, the music audience of Great Hall (Velika Dvorana) of Kolarac Foundation is profiled through its basic socio-demographic characteristics and music practices. The music audience mainly consisted of women, highly educated professionals with a high material standard. The share of the oldest and those from 21 to 30 years old is the highest and, at the same time, equal. This audience is authentically fond of music, with no exceptions at all. Its members listen to music on everyday basis, and they were attending concerts in the year before the investigation. They find music to be an inevitable part of their lives, and cannot imagine emotional expression or making friendships without it. Finally, they sincerely like coming to Kolarac Foundation since they find it to be a place that has all the positive treats of a good cultural institution.", publisher = "Београд : Музиколошки институт Српске академије наука и уметности", journal = "Музикологија / Musicology", title = "Улазак у Коларчеву задужбину: културна делатност и музичка публика, The Entry to Kolarac Foundation: Cultural Activity and Music Audience", pages = "157-173", number = "21", doi = "10.2298/MUZ1621157H", url = "https://hdl.handle.net/21.15107/rcub_dais_3780" }
Хаџибулић, С.. (2016). Улазак у Коларчеву задужбину: културна делатност и музичка публика. in Музикологија / Musicology Београд : Музиколошки институт Српске академије наука и уметности.(21), 157-173. https://doi.org/10.2298/MUZ1621157H https://hdl.handle.net/21.15107/rcub_dais_3780
Хаџибулић С. Улазак у Коларчеву задужбину: културна делатност и музичка публика. in Музикологија / Musicology. 2016;(21):157-173. doi:10.2298/MUZ1621157H https://hdl.handle.net/21.15107/rcub_dais_3780 .
Хаџибулић, Сабина, "Улазак у Коларчеву задужбину: културна делатност и музичка публика" in Музикологија / Musicology, no. 21 (2016):157-173, https://doi.org/10.2298/MUZ1621157H ., https://hdl.handle.net/21.15107/rcub_dais_3780 .