Reception of Serbian traditional rural singing in ‘the West’, ‘the East’ and beyond: the experiences of neo-traditional ensembles from Belgrade
Поглавље у монографији (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
This chapter is an attempt to contribute to the latest research trends in European ethnomusicology by looking into the issue of a relationship between the terms music and familiarity (Stobart 2013). Stobart offers an innovative approach to this issue in the light of a direct experience in
intercultural contacts and intercultural listening from the perspective of researchers and performers of traditional Balkan music. This topic concerns with the aspects of reception of familiar or unfamiliar sounds of Serbian rural vocal music, depending on the cultural milieu in which they have been presented.
Кључне речи:
European ethnomusicology / Serbian traditional rural singing / neo-traditional ensembles / Belgrade / vocal ensemblesИзвор:
Beyond the East-West divide: Balkan music and its poles of attraction, 2015, 273-285Издавач:
- Belgrade : Institute of Musicology SASA
- Belgrade : Department of Fine Arts and Music SASA
Финансирање / пројекти:
- Идентитети српске музике од локалних до глобалних оквира: традиције, промене, изазови (RS-MESTD-Basic Research (BR or ON)-177004)
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - CHAP AU - Jovanović, Jelena AU - Radinović, Sanja PY - 2015 UR - https://dais.sanu.ac.rs/123456789/15624 AB - This chapter is an attempt to contribute to the latest research trends in European ethnomusicology by looking into the issue of a relationship between the terms music and familiarity (Stobart 2013). Stobart offers an innovative approach to this issue in the light of a direct experience in intercultural contacts and intercultural listening from the perspective of researchers and performers of traditional Balkan music. This topic concerns with the aspects of reception of familiar or unfamiliar sounds of Serbian rural vocal music, depending on the cultural milieu in which they have been presented. PB - Belgrade : Institute of Musicology SASA PB - Belgrade : Department of Fine Arts and Music SASA T2 - Beyond the East-West divide: Balkan music and its poles of attraction T1 - Reception of Serbian traditional rural singing in ‘the West’, ‘the East’ and beyond: the experiences of neo-traditional ensembles from Belgrade SP - 273 EP - 285 UR - https://hdl.handle.net/21.15107/rcub_dais_15624 ER -
@inbook{ author = "Jovanović, Jelena and Radinović, Sanja", year = "2015", abstract = "This chapter is an attempt to contribute to the latest research trends in European ethnomusicology by looking into the issue of a relationship between the terms music and familiarity (Stobart 2013). Stobart offers an innovative approach to this issue in the light of a direct experience in intercultural contacts and intercultural listening from the perspective of researchers and performers of traditional Balkan music. This topic concerns with the aspects of reception of familiar or unfamiliar sounds of Serbian rural vocal music, depending on the cultural milieu in which they have been presented.", publisher = "Belgrade : Institute of Musicology SASA, Belgrade : Department of Fine Arts and Music SASA", journal = "Beyond the East-West divide: Balkan music and its poles of attraction", booktitle = "Reception of Serbian traditional rural singing in ‘the West’, ‘the East’ and beyond: the experiences of neo-traditional ensembles from Belgrade", pages = "273-285", url = "https://hdl.handle.net/21.15107/rcub_dais_15624" }
Jovanović, J.,& Radinović, S.. (2015). Reception of Serbian traditional rural singing in ‘the West’, ‘the East’ and beyond: the experiences of neo-traditional ensembles from Belgrade. in Beyond the East-West divide: Balkan music and its poles of attraction Belgrade : Institute of Musicology SASA., 273-285. https://hdl.handle.net/21.15107/rcub_dais_15624
Jovanović J, Radinović S. Reception of Serbian traditional rural singing in ‘the West’, ‘the East’ and beyond: the experiences of neo-traditional ensembles from Belgrade. in Beyond the East-West divide: Balkan music and its poles of attraction. 2015;:273-285. https://hdl.handle.net/21.15107/rcub_dais_15624 .
Jovanović, Jelena, Radinović, Sanja, "Reception of Serbian traditional rural singing in ‘the West’, ‘the East’ and beyond: the experiences of neo-traditional ensembles from Belgrade" in Beyond the East-West divide: Balkan music and its poles of attraction (2015):273-285, https://hdl.handle.net/21.15107/rcub_dais_15624 .