Conflict and Dialogue between the Old and the New in Serbian Music between the Two World Wars

dc.contributor	Chew, Geoffrey
dc.creator	Tomašević, Katarina
dc.date.accessioned	2023-10-21T22:05:40Z
dc.date.available	2023-10-21T22:05:40Z
dc.date.issued	2007
dc.identifier.isbn	978-80-86791-47-0
dc.identifier.uri	https://dais.sanu.ac.rs/123456789/15173
dc.description.abstract	In this paper, I aim to discuss some general concepts (“Old” and “New”, “Tradition(s)” and “Modernism(s)”) in Serbian music between the two World Wars, not onIy in their national context, but from a broader, European point of view. The complexity of the history of Serbian music in this period requires a certain systematization, a kind of typology, to account for the main streams, and the principal criterion for these may be found in the relationships between novelty and tradition.	sr
dc.language.iso	en	sr
dc.publisher	Praha : Koniasch Latin Press	sr
dc.rights	restrictedAccess	sr
dc.source	New Music in the “New” Europe 1918–1939: Ideology, Theory, and Practice	sr
dc.subject	Old and New	sr
dc.subject	Tradition	sr
dc.subject	Modernism	sr
dc.subject	Serbian music	sr
dc.subject	two World Wars	sr
dc.subject	history of Serbian music	sr
dc.title	Conflict and Dialogue between the Old and the New in Serbian Music between the Two World Wars	sr
dc.type	bookPart	sr
dc.rights.license	ARR	sr
dc.citation.spage	162
dc.citation.epage	172
dc.type.version	publishedVersion	sr
dc.identifier.rcub	https://hdl.handle.net/21.15107/rcub_dais_15173