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dc.creatorMilanović, Biljana
dc.date.accessioned2023-03-20T20:57:15Z
dc.date.available2023-03-20T20:57:15Z
dc.date.issued2022
dc.identifier.urihttps://multimediality.confer.uj.edu.pl/en_GB/programme
dc.identifier.urihttps://multimediality.confer.uj.edu.pl/en_GB/speakers/-/journal_content/56_INSTANCE_9zniijtYA71K/150906505/151302549
dc.identifier.urihttps://dais.sanu.ac.rs/123456789/14274
dc.description.abstractThe opera The last little girls, based on the libretto “about the future of human reproduction in 15 pictures”, was created by playwright Maja Pelević, composer Irena Popović-Dragović and director Kokan Mladenović (premiere performance on 29th December 2021, Theatre “Kosztolányi Dezső” in Subotica, Serbia).sr
dc.language.isoensr
dc.publisherKraków : Jagiellonian University in Krakówsr
dc.relationinfo:eu-repo/grantAgreement/ScienceFundRS/Ideje/7750287/RS//sr
dc.rightsopenAccesssr
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourceMusical Multimedia as a Keystone of Artistic Manifestations in the 20th–21st Century Europe. 31st August – 2nd September 2022sr
dc.subjectThe Last Little Girlssr
dc.subjectMaja Pelevićsr
dc.subjectIrena Popović-Dragovićsr
dc.subjectKokan Mladenovićsr
dc.titleActivism on Musical Stage: The Case of the Opera “The Last Little Girls”sr
dc.typeconferenceObjectsr
dc.rights.licenseBY-NC-NDsr
dc.type.versionacceptedVersionsr
dc.identifier.fulltexthttp://dais.sanu.ac.rs/bitstream/id/57159/Biljana_apstrakt.pdf
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_dais_14274


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