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dc.contributorRadovanović, Bojana
dc.creatorRadovanović, Bojana
dc.date.accessioned2022-12-16T13:10:06Z
dc.date.available2022-12-16T13:10:06Z
dc.date.issued2022
dc.identifier.issn2637-1898
dc.identifier.urihttps://dais.sanu.ac.rs/123456789/13485
dc.description.abstractTikTok has become one of the fastest growing online empires in the last decade, and one of the most influential social media tools today. By centering the short-video format tailored for smartphone screens, this platform sets forth the sonic component of the audio-visual material in ways which have been unexplored in the social media realm on a global scale before. In this article I will explore the ways in which TikTok has made an “aural turn”, and thus changed and influenced the processes of music-making, music listening and music promotion. Special attention is given to the tools creators have at use (such as Duets, Stitches, livestreams, short form of the video), as well as the circumstances that ensue when these tools are combined with the algorithm and the entire ecosystem of this app (such as the highest yet possibility of virality, pressure to optimize content to be ‘catchy’ and likable, fast release on other streaming apps). The article also investigates the TikTok-influenced image of the contemporary music industry, as well as the multifaceted use of sound as memes.sr
dc.language.isoensr
dc.publisherSarajevo : INSAM Institute for Contemporary Artistic Musicsr
dc.relationinfo:eu-repo/grantAgreement/MESTD/inst-2020/200176/RS//sr
dc.relationinfo:eu-repo/grantAgreement/ScienceFundRS/Ideje/7750287/RS//
dc.rightsopenAccesssr
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/4.0/
dc.sourceINSAM Journal of Contemporary Music, Art and Technologysr
dc.subjectTikToksr
dc.subjectmusicsr
dc.subjectsoundsr
dc.subjectmemesr
dc.subjectmusic produsagesr
dc.subjectmusic promotionsr
dc.subjectmusic technologysr
dc.titleTikTok and Sound: Changing the ways of Creating, Promoting, Distributing and Listening to Musicen
dc.typearticlesr
dc.rights.licenseBY-NC-SAsr
dc.citation.spage51
dc.citation.epage73
dc.citation.issue9
dc.identifier.doi10.51191/issn.2637-1898.2022.5.9.51
dc.identifier.cobiss26698502
dc.type.versionpublishedVersionsr
dc.identifier.fulltexthttp://dais.sanu.ac.rs/bitstream/id/53895/bitstream_53895.pdf
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_dais_13485


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