Каталогизација колекције снимака средњовековних споменика Народног музеја у Београду : историјат и проблематика
Cataloguing of the collection of photographs of medieval monuments of the National museum in Belgrade: history and problematics
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Приказ свих података о документуАпстракт
The collection of photographs of medieval monuments of the National Museum was formed in the period between 1907 and 1940. More than ten thousand photographs were created during that period, on almost three hundred localities in the territory of Serbia, Kosovo and Metohija, Macedonia, Montenegro, Herzegovina, Dalmatia and Greece (Mount Athos), of the architecture and paintings of medieval churches and monasteries. Considering that a part of the fund perished during World War II, this collection of photographs nowadays numbers 7,521 glass plate negatives in three formats. In the paper, the author describes the history of the inventorying of this collection. Starting from the oldest book of negatives of the National Museum in Belgrade, which the author identified while working on the collection, she analyses the problems involved in the cataloguing of museum objects such as the glass negatives. Thanks primarily to the documents preserved in the Archive of the National Museum in Belgrade,... all the campaigns of photographing the medieval monuments have been recorded, whereby the time of creating the photographs of individual monuments was accurately established. In this way, the photographs were given the chronological determinant that was necessary for the further interpretation of their contents. It was also possible, on the basis of the preserved documents, to determine the names of the photographers in a significant number of cases, which contributes to a better knowledge of the history of the National Museum. The negatives of medieval monuments pose the researcher a two-fold task and, in treating them, it is necessary to pay equal attention to both the reconstruction of the creation of the photograph itself and to its content. While adhering to modern museum practice, the author answers questions regarding the basic information about the photographs which have, so far, not been the subject of any cataloguing, and then proposes the method for the professional examination of the contents of the photographs, i.e. the architecture and paintings of Serbian medieval churches and monasteries, in keeping with modern standards of cataloguing and documenting museum objects, i.e. glass plate negatives.
Кључне речи:
Serbian medieval monuments / Photographing / Glass plates / Museum inventorying / Museum cataloguing / National Museum in Belgrade / Vladimir R. Petković / српски средњовековни споменици / фотогафска снимања / негативи на стакленим плочама / инвентаризација / каталогизација / Народни музеј у Београду / Владимир Р. ПетковићИзвор:
Зборник Народног музеја. Историја уметности XXII / 2, 2016, XXII / 2, 81-98Издавач:
- Београд : Народни музеј
Институција/група
Балканолошки институт САНУ / Institute for Balkan Studies SASATY - JOUR AU - Прерадовић, Дубравка PY - 2016 UR - https://dais.sanu.ac.rs/123456789/12486 AB - The collection of photographs of medieval monuments of the National Museum was formed in the period between 1907 and 1940. More than ten thousand photographs were created during that period, on almost three hundred localities in the territory of Serbia, Kosovo and Metohija, Macedonia, Montenegro, Herzegovina, Dalmatia and Greece (Mount Athos), of the architecture and paintings of medieval churches and monasteries. Considering that a part of the fund perished during World War II, this collection of photographs nowadays numbers 7,521 glass plate negatives in three formats. In the paper, the author describes the history of the inventorying of this collection. Starting from the oldest book of negatives of the National Museum in Belgrade, which the author identified while working on the collection, she analyses the problems involved in the cataloguing of museum objects such as the glass negatives. Thanks primarily to the documents preserved in the Archive of the National Museum in Belgrade, all the campaigns of photographing the medieval monuments have been recorded, whereby the time of creating the photographs of individual monuments was accurately established. In this way, the photographs were given the chronological determinant that was necessary for the further interpretation of their contents. It was also possible, on the basis of the preserved documents, to determine the names of the photographers in a significant number of cases, which contributes to a better knowledge of the history of the National Museum. The negatives of medieval monuments pose the researcher a two-fold task and, in treating them, it is necessary to pay equal attention to both the reconstruction of the creation of the photograph itself and to its content. While adhering to modern museum practice, the author answers questions regarding the basic information about the photographs which have, so far, not been the subject of any cataloguing, and then proposes the method for the professional examination of the contents of the photographs, i.e. the architecture and paintings of Serbian medieval churches and monasteries, in keeping with modern standards of cataloguing and documenting museum objects, i.e. glass plate negatives. PB - Београд : Народни музеј T2 - Зборник Народног музеја. Историја уметности XXII / 2 T1 - Каталогизација колекције снимака средњовековних споменика Народног музеја у Београду : историјат и проблематика T1 - Cataloguing of the collection of photographs of medieval monuments of the National museum in Belgrade: history and problematics SP - 81 EP - 98 VL - XXII / 2 UR - https://hdl.handle.net/21.15107/rcub_dais_12486 ER -
@article{ author = "Прерадовић, Дубравка", year = "2016", abstract = "The collection of photographs of medieval monuments of the National Museum was formed in the period between 1907 and 1940. More than ten thousand photographs were created during that period, on almost three hundred localities in the territory of Serbia, Kosovo and Metohija, Macedonia, Montenegro, Herzegovina, Dalmatia and Greece (Mount Athos), of the architecture and paintings of medieval churches and monasteries. Considering that a part of the fund perished during World War II, this collection of photographs nowadays numbers 7,521 glass plate negatives in three formats. In the paper, the author describes the history of the inventorying of this collection. Starting from the oldest book of negatives of the National Museum in Belgrade, which the author identified while working on the collection, she analyses the problems involved in the cataloguing of museum objects such as the glass negatives. Thanks primarily to the documents preserved in the Archive of the National Museum in Belgrade, all the campaigns of photographing the medieval monuments have been recorded, whereby the time of creating the photographs of individual monuments was accurately established. In this way, the photographs were given the chronological determinant that was necessary for the further interpretation of their contents. It was also possible, on the basis of the preserved documents, to determine the names of the photographers in a significant number of cases, which contributes to a better knowledge of the history of the National Museum. The negatives of medieval monuments pose the researcher a two-fold task and, in treating them, it is necessary to pay equal attention to both the reconstruction of the creation of the photograph itself and to its content. While adhering to modern museum practice, the author answers questions regarding the basic information about the photographs which have, so far, not been the subject of any cataloguing, and then proposes the method for the professional examination of the contents of the photographs, i.e. the architecture and paintings of Serbian medieval churches and monasteries, in keeping with modern standards of cataloguing and documenting museum objects, i.e. glass plate negatives.", publisher = "Београд : Народни музеј", journal = "Зборник Народног музеја. Историја уметности XXII / 2", title = "Каталогизација колекције снимака средњовековних споменика Народног музеја у Београду : историјат и проблематика, Cataloguing of the collection of photographs of medieval monuments of the National museum in Belgrade: history and problematics", pages = "81-98", volume = "XXII / 2", url = "https://hdl.handle.net/21.15107/rcub_dais_12486" }
Прерадовић, Д.. (2016). Каталогизација колекције снимака средњовековних споменика Народног музеја у Београду : историјат и проблематика. in Зборник Народног музеја. Историја уметности XXII / 2 Београд : Народни музеј., XXII / 2, 81-98. https://hdl.handle.net/21.15107/rcub_dais_12486
Прерадовић Д. Каталогизација колекције снимака средњовековних споменика Народног музеја у Београду : историјат и проблематика. in Зборник Народног музеја. Историја уметности XXII / 2. 2016;XXII / 2:81-98. https://hdl.handle.net/21.15107/rcub_dais_12486 .
Прерадовић, Дубравка, "Каталогизација колекције снимака средњовековних споменика Народног музеја у Београду : историјат и проблематика" in Зборник Народног музеја. Историја уметности XXII / 2, XXII / 2 (2016):81-98, https://hdl.handle.net/21.15107/rcub_dais_12486 .