On the New Life of the Partisan Songs in ex-Yugoslavia: The Yugoslav Partisan Art
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For decades, songs by the Yugoslav Partisans and masses have been something of an ostracised topic in musicology and ethnomusicology. Even before the break-up of socialist Yugoslavia, a tide of laudatory essays praising the role of these songs in the liberation and rebuilding of the country was largely ignored by scholars, as neither their historical impact nor aesthetic value were deemed
worthy of thorough scholarly treatment. And once new national borders were eventually imposed on the Yugoslav space, and new parochial agendas were introduced in the humanities of the new
countries, a renewal of the scholarly interest in the Partisan songs seemed almost impossible. However, Ana Hofman’s book Novi život partizanskih pesama (The New Life of the Partisan Songs), which was just published by the renowned Belgrade publishing house Biblioteka XX vek, proves not only that the Partisan songs are a viable research topic but also that it is possible to swim against the mainstream and actually ...pursue the topic. The book itself comes from Hofman’s ethnographic research in the practices of post-Yugoslav self-organised choirs from Skopje, Belgrade, Zagreb, Ljubljana, Pula, Vienna and elsewhere. The book published in Serbian is largely based on Hofman’s Slovenian book Glasba, politika, afekt: Novo življenje partizanskih pesmi v Sloveniji (Music, Politics, Affect: The New Life of the Partisan Songs in Slovenia), which appeared in 2015 with the publishing house of the Research Centre of the Slovenian Academy of Sciences
and Arts and focuses on the Ljubljana-based self-organised choir Kombinat. However, through the prism of this case study Hofman manages not only to speak about the importance of reviving the repertoire of the Partisan songs in the ex-Yugoslav space but also to address wider questions of the politics of empathy in the conditions of neoliberal capitalism.
Кључне речи:
Yugoslav Partisans / songs / musicology / ethnomusicology / socialist Yugoslavia / Novi život partizanskih pesama / Glasba, politika, afekt: Novo življenje partizanskih pesmi v SlovenijiИзвор:
Slavica Tergestina, European Slavic Studies Journal, 2016, 17, 172-177Издавач:
- Trieste : EUT Edizioni Università
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - JOUR AU - Atanasovski, Srđan PY - 2016 UR - http://hdl.handle.net/10077/15546 UR - https://dais.sanu.ac.rs/123456789/11835 AB - For decades, songs by the Yugoslav Partisans and masses have been something of an ostracised topic in musicology and ethnomusicology. Even before the break-up of socialist Yugoslavia, a tide of laudatory essays praising the role of these songs in the liberation and rebuilding of the country was largely ignored by scholars, as neither their historical impact nor aesthetic value were deemed worthy of thorough scholarly treatment. And once new national borders were eventually imposed on the Yugoslav space, and new parochial agendas were introduced in the humanities of the new countries, a renewal of the scholarly interest in the Partisan songs seemed almost impossible. However, Ana Hofman’s book Novi život partizanskih pesama (The New Life of the Partisan Songs), which was just published by the renowned Belgrade publishing house Biblioteka XX vek, proves not only that the Partisan songs are a viable research topic but also that it is possible to swim against the mainstream and actually pursue the topic. The book itself comes from Hofman’s ethnographic research in the practices of post-Yugoslav self-organised choirs from Skopje, Belgrade, Zagreb, Ljubljana, Pula, Vienna and elsewhere. The book published in Serbian is largely based on Hofman’s Slovenian book Glasba, politika, afekt: Novo življenje partizanskih pesmi v Sloveniji (Music, Politics, Affect: The New Life of the Partisan Songs in Slovenia), which appeared in 2015 with the publishing house of the Research Centre of the Slovenian Academy of Sciences and Arts and focuses on the Ljubljana-based self-organised choir Kombinat. However, through the prism of this case study Hofman manages not only to speak about the importance of reviving the repertoire of the Partisan songs in the ex-Yugoslav space but also to address wider questions of the politics of empathy in the conditions of neoliberal capitalism. PB - Trieste : EUT Edizioni Università T2 - Slavica Tergestina, European Slavic Studies Journal T1 - On the New Life of the Partisan Songs in ex-Yugoslavia: The Yugoslav Partisan Art SP - 172 EP - 177 VL - 17 UR - https://hdl.handle.net/21.15107/rcub_dais_11835 ER -
@article{ author = "Atanasovski, Srđan", year = "2016", abstract = "For decades, songs by the Yugoslav Partisans and masses have been something of an ostracised topic in musicology and ethnomusicology. Even before the break-up of socialist Yugoslavia, a tide of laudatory essays praising the role of these songs in the liberation and rebuilding of the country was largely ignored by scholars, as neither their historical impact nor aesthetic value were deemed worthy of thorough scholarly treatment. And once new national borders were eventually imposed on the Yugoslav space, and new parochial agendas were introduced in the humanities of the new countries, a renewal of the scholarly interest in the Partisan songs seemed almost impossible. However, Ana Hofman’s book Novi život partizanskih pesama (The New Life of the Partisan Songs), which was just published by the renowned Belgrade publishing house Biblioteka XX vek, proves not only that the Partisan songs are a viable research topic but also that it is possible to swim against the mainstream and actually pursue the topic. The book itself comes from Hofman’s ethnographic research in the practices of post-Yugoslav self-organised choirs from Skopje, Belgrade, Zagreb, Ljubljana, Pula, Vienna and elsewhere. The book published in Serbian is largely based on Hofman’s Slovenian book Glasba, politika, afekt: Novo življenje partizanskih pesmi v Sloveniji (Music, Politics, Affect: The New Life of the Partisan Songs in Slovenia), which appeared in 2015 with the publishing house of the Research Centre of the Slovenian Academy of Sciences and Arts and focuses on the Ljubljana-based self-organised choir Kombinat. However, through the prism of this case study Hofman manages not only to speak about the importance of reviving the repertoire of the Partisan songs in the ex-Yugoslav space but also to address wider questions of the politics of empathy in the conditions of neoliberal capitalism.", publisher = "Trieste : EUT Edizioni Università", journal = "Slavica Tergestina, European Slavic Studies Journal", title = "On the New Life of the Partisan Songs in ex-Yugoslavia: The Yugoslav Partisan Art", pages = "172-177", volume = "17", url = "https://hdl.handle.net/21.15107/rcub_dais_11835" }
Atanasovski, S.. (2016). On the New Life of the Partisan Songs in ex-Yugoslavia: The Yugoslav Partisan Art. in Slavica Tergestina, European Slavic Studies Journal Trieste : EUT Edizioni Università., 17, 172-177. https://hdl.handle.net/21.15107/rcub_dais_11835
Atanasovski S. On the New Life of the Partisan Songs in ex-Yugoslavia: The Yugoslav Partisan Art. in Slavica Tergestina, European Slavic Studies Journal. 2016;17:172-177. https://hdl.handle.net/21.15107/rcub_dais_11835 .
Atanasovski, Srđan, "On the New Life of the Partisan Songs in ex-Yugoslavia: The Yugoslav Partisan Art" in Slavica Tergestina, European Slavic Studies Journal, 17 (2016):172-177, https://hdl.handle.net/21.15107/rcub_dais_11835 .