Great chant in the liturgical practice of the Serbian Orthodox Church
Аутори
Marjanović, NatašaОстала ауторства
Nika-Sampson, EviSakallieros, Giorgos
Alexandru, Maria
Kitsios, Giorgos
Giannopoulos, Emmanouil
Конференцијски прилог (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
In the Serbian traditional liturgical music, great chant is the term which appeared in the 19th century, implying very melismatic melodies of certain liturgical hymns. Probably the examples of
melismatic music had existed also in former centuries, but that can be determined only partially,
considering the analysis of texts from liturgical books which show that repeated vowels in text actually signified melismatic melodies. In the last quarter of the 19th century, certain clergy, teachers and good connoisseurs of traditional chant, as well as the students of the Seminary in Sremski Karlovci, wrote down collections of great chant in the modern European notation. Our aim is to present the existing collections and liturgical hymns which had both, their syllabic and
developed melismatic versions, as well as to analyze the melismatic melodies themselves.
Извор:
Crossroads - Greece as an intercultural pole of musical thought and creativity, 2013, 569-579Издавач:
- Thessaloniki : Aristotle University of Thessaloniki, School of Music Studies, International Musicological Society (I.M.S.), Regional Association for the Study of Music of the Balkans
Напомена:
- International Musicological Conference
Институција/група
Музиколошки институт САНУ / Institute of Musicology SASATY - CONF AU - Marjanović, Nataša PY - 2013 UR - http://crossroads.mus.auth.gr/proceedings/ UR - https://dais.sanu.ac.rs/123456789/10760 AB - In the Serbian traditional liturgical music, great chant is the term which appeared in the 19th century, implying very melismatic melodies of certain liturgical hymns. Probably the examples of melismatic music had existed also in former centuries, but that can be determined only partially, considering the analysis of texts from liturgical books which show that repeated vowels in text actually signified melismatic melodies. In the last quarter of the 19th century, certain clergy, teachers and good connoisseurs of traditional chant, as well as the students of the Seminary in Sremski Karlovci, wrote down collections of great chant in the modern European notation. Our aim is to present the existing collections and liturgical hymns which had both, their syllabic and developed melismatic versions, as well as to analyze the melismatic melodies themselves. PB - Thessaloniki : Aristotle University of Thessaloniki, School of Music Studies, International Musicological Society (I.M.S.), Regional Association for the Study of Music of the Balkans C3 - Crossroads - Greece as an intercultural pole of musical thought and creativity T1 - Great chant in the liturgical practice of the Serbian Orthodox Church SP - 569 EP - 579 UR - https://hdl.handle.net/21.15107/rcub_dais_10760 ER -
@conference{ author = "Marjanović, Nataša", year = "2013", abstract = "In the Serbian traditional liturgical music, great chant is the term which appeared in the 19th century, implying very melismatic melodies of certain liturgical hymns. Probably the examples of melismatic music had existed also in former centuries, but that can be determined only partially, considering the analysis of texts from liturgical books which show that repeated vowels in text actually signified melismatic melodies. In the last quarter of the 19th century, certain clergy, teachers and good connoisseurs of traditional chant, as well as the students of the Seminary in Sremski Karlovci, wrote down collections of great chant in the modern European notation. Our aim is to present the existing collections and liturgical hymns which had both, their syllabic and developed melismatic versions, as well as to analyze the melismatic melodies themselves.", publisher = "Thessaloniki : Aristotle University of Thessaloniki, School of Music Studies, International Musicological Society (I.M.S.), Regional Association for the Study of Music of the Balkans", journal = "Crossroads - Greece as an intercultural pole of musical thought and creativity", title = "Great chant in the liturgical practice of the Serbian Orthodox Church", pages = "569-579", url = "https://hdl.handle.net/21.15107/rcub_dais_10760" }
Marjanović, N.. (2013). Great chant in the liturgical practice of the Serbian Orthodox Church. in Crossroads - Greece as an intercultural pole of musical thought and creativity Thessaloniki : Aristotle University of Thessaloniki, School of Music Studies, International Musicological Society (I.M.S.), Regional Association for the Study of Music of the Balkans., 569-579. https://hdl.handle.net/21.15107/rcub_dais_10760
Marjanović N. Great chant in the liturgical practice of the Serbian Orthodox Church. in Crossroads - Greece as an intercultural pole of musical thought and creativity. 2013;:569-579. https://hdl.handle.net/21.15107/rcub_dais_10760 .
Marjanović, Nataša, "Great chant in the liturgical practice of the Serbian Orthodox Church" in Crossroads - Greece as an intercultural pole of musical thought and creativity (2013):569-579, https://hdl.handle.net/21.15107/rcub_dais_10760 .