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On Missed Opportunities: The International Review of Composers in Belgrade and the “Postsocialist Condition”

dc.contributorMilanović, Biljana
dc.contributorMilin, Melita
dc.contributorLajić Mihajlović, Danka
dc.creatorJanković-Beguš, Jelena
dc.creatorMedić, Ivana
dc.date.accessioned2020-12-30T23:03:13Z
dc.date.available2020-12-30T23:03:13Z
dc.date.issued2020
dc.identifier.isbn978-86-80639-60-4
dc.identifier.urihttps://dais.sanu.ac.rs/handle/123456789/10158
dc.identifier.urihttps://dais.sanu.ac.rs/123456789/10159
dc.description.abstractIn this article we observe the history of the International Review of Composers in Belgrade, the most enduring annual festival of contemporary art music in Serbia, founded in 1992. We have borrowed the syntagm ‘postsocialist condition’ from the title of the book edited by Aleš Erjavec (Erjavec 2003).sr
dc.language.isoensr
dc.publisherBelgrade : Institute of Musicology SASAsr
dc.rightsopenAccesssr
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourceMusic in Postsocialism: Three Decades in Retrospect / Музика у постсоцијализму: три деценије каснијеsr
dc.subjectComposerssr
dc.subjectBelgradesr
dc.subjectpostsocialismsr
dc.subjectSerbiasr
dc.subjectfestival of contemporary art musicsr
dc.subjectthe International Review of Composerssr
dc.subjectMeđunarodna tribina kompozitorasr
dc.titleOn Missed Opportunities: The International Review of Composers in Belgrade and the “Postsocialist Condition”sr
dc.typebookPartsr
dc.rights.licenseBY-NC-NDsr
dcterms.abstractЈанковић-Бегуш, Јелена; Медић, Ивана;
dc.citation.spage139
dc.citation.epage168
dc.identifier.cobiss28288265
dc.type.versionpublishedVersionsr
dc.identifier.fulltexthttps://dais.sanu.ac.rs/bitstream/id/41730/bitstream_41730.pdf
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_dais_10159


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