A travelling speculator (CIL III 1650) a glimpse of the everyday life of the principales through the window of Roman funerary art
Članak u časopisu (Objavljena verzija)
Metapodaci
Prikaz svih podataka o dokumentuApstrakt
The focus of the paper is on the travel scene depicted on the funerary stele of L. Blassius Nigellio (CIL III 1650), a speculator of legio VII Claudia, from Viminacium. Seeking to gain a more comprehensive understanding of this scene from the everyday professional life of a Roman speculator, it draws attention to an iconographic pattern shared by a group of monuments of Roman principales (speculatores, frumentarii, beneficiarii consularis) among which the scene from Viminacium holds a very important place. It also takes a look at the origin and social status of the Upper Moesian speculator who could afford such a costly tombstone.
Ključne reči:
stele / speculator / iconography / carriage (rheda) / beneficiarius spear (Benefiziarierlanze) / ViminaciumIzvor:
Balcanica, 2016, 47, 7-24Izdavač:
- Belgrade : Institute for Balkan Studies SASA
Finansiranje / projekti:
- Društvo, duhovno-materijalna kultura i komunikacije u praistoriji i ranoj istoriji Balkana (RS-MESTD-Basic Research (BR or ON)-177012)
Kolekcije
Institucija/grupa
Балканолошки институт САНУ / Institute for Balkan Studies SASATY - JOUR AU - Pilipović, Sanja PY - 2016 UR - https://dais.sanu.ac.rs/123456789/950 AB - The focus of the paper is on the travel scene depicted on the funerary stele of L. Blassius Nigellio (CIL III 1650), a speculator of legio VII Claudia, from Viminacium. Seeking to gain a more comprehensive understanding of this scene from the everyday professional life of a Roman speculator, it draws attention to an iconographic pattern shared by a group of monuments of Roman principales (speculatores, frumentarii, beneficiarii consularis) among which the scene from Viminacium holds a very important place. It also takes a look at the origin and social status of the Upper Moesian speculator who could afford such a costly tombstone. PB - Belgrade : Institute for Balkan Studies SASA T2 - Balcanica T1 - A travelling speculator (CIL III 1650) a glimpse of the everyday life of the principales through the window of Roman funerary art SP - 7 EP - 24 VL - 47 DO - 10.2298/BALC1647007P UR - https://hdl.handle.net/21.15107/rcub_dais_950 ER -
@article{ author = "Pilipović, Sanja", year = "2016", abstract = "The focus of the paper is on the travel scene depicted on the funerary stele of L. Blassius Nigellio (CIL III 1650), a speculator of legio VII Claudia, from Viminacium. Seeking to gain a more comprehensive understanding of this scene from the everyday professional life of a Roman speculator, it draws attention to an iconographic pattern shared by a group of monuments of Roman principales (speculatores, frumentarii, beneficiarii consularis) among which the scene from Viminacium holds a very important place. It also takes a look at the origin and social status of the Upper Moesian speculator who could afford such a costly tombstone.", publisher = "Belgrade : Institute for Balkan Studies SASA", journal = "Balcanica", title = "A travelling speculator (CIL III 1650) a glimpse of the everyday life of the principales through the window of Roman funerary art", pages = "7-24", volume = "47", doi = "10.2298/BALC1647007P", url = "https://hdl.handle.net/21.15107/rcub_dais_950" }
Pilipović, S.. (2016). A travelling speculator (CIL III 1650) a glimpse of the everyday life of the principales through the window of Roman funerary art. in Balcanica Belgrade : Institute for Balkan Studies SASA., 47, 7-24. https://doi.org/10.2298/BALC1647007P https://hdl.handle.net/21.15107/rcub_dais_950
Pilipović S. A travelling speculator (CIL III 1650) a glimpse of the everyday life of the principales through the window of Roman funerary art. in Balcanica. 2016;47:7-24. doi:10.2298/BALC1647007P https://hdl.handle.net/21.15107/rcub_dais_950 .
Pilipović, Sanja, "A travelling speculator (CIL III 1650) a glimpse of the everyday life of the principales through the window of Roman funerary art" in Balcanica, 47 (2016):7-24, https://doi.org/10.2298/BALC1647007P ., https://hdl.handle.net/21.15107/rcub_dais_950 .