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The Live Album or the Many Ways of Representing Performance
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2014)
The analysis of live albums can clarify the dialectic between studio recordings and
live performances. After discussing key concepts such as authenticity, space, time
and place, and documentation, the author gives a ...
Musical Performance as Storytelling: Memory, European Integration, and the Baltic Youth Philharmonic Оrchestra / Музичко извођаштво као приповедање: памћење, европске интеграције и Балтичка филхармонија младих
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2014)
Storytelling has been theorized as a performative, narrative practice, but it has not been employed often as a trope in studies of musical performance. This article outlines a theoretical context for exploring the possibilities ...
Julie C. Dunbar, Women, Music, Culture: An Introduction, Routledge, New York – London, 2011, pp. XIX+379
(Belgrade : Faculty of Music, 2014)
Julie Dunbar, the author of a recent publication about musicology and gender studies, is a lecturer and an orchestra conductor at Edgewood College in Madison, Wisconsin. Her textbook, presently taken under consideration, ...
Beyond Reproduction: Semiotic Perspectives On Musical Performance / Више од репродукције: семиотичке перспективе музичког извођења
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2014)
The traditional musicological conception of performance is as the reproduction of pre-existing texts. This makes no allowance for the extent to which meaning emerges from the act of performance, and from the interactions ...