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Zora D. by Isidora Žebeljan: Towards the new opera / Zora D. Isidore Žebeljan - put ka novoj operi
(Музикологија / Musicology, 2004)
Opera Zora D., composed by Isidora Žebeljan during 2002 and 2003, and which was premiered in Amsterdam in June 2003, is the first Serbian opera that had a world premiere abroad. It is also the first Serbian opera that has ...
Gusle-making in Serbia between Tradition and the Market
(Münster : readbox unipress, 2017)
The place of gusle among the Serbian traditional instruments is on the one hand determined by its subordinate role in the vocal-instrumental performances of epics, and, on the other hand, by its
prestigious status in the ...
Contribution of Ljubica and Danica Janković to Establishment of Ethnochoreology in Serbia as an Academic Scholarly Discipline / Допринос Љубице и Данице Јанковић установљењу етнокореологије у Србији као академске научне дисциплине
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2014)
The Janković sisters are pioneers of ethnochoreological research in Serbia. Their
scholarly methodology is based on intenisve feld research and their development
of a unique system of dance notation, which enabled them ...
Innere Emigration und Diktatur die getarnten Botschaften in den Opern der meister aus bojana von Konstantin Iliev und der gefesselte Prometeus von Lazar Nikolov / Unutrašnja emigracija i diktatura - 'Majstor iz Bojane' Konstantina Ilijeva i 'Okovani Prometej' Lazara Nikolova
(Музикологија / Musicology, 2004)
Die Frage der "inneren Emigration" in den ehemaligen kommunistischen Ländern Europas wird an Beispielen zweier Opern der wichtigen bulgarischen Komponisten Konstantin Iliev und Lazar Nikolov untersucht. Ähnlich wie Paul ...
Modern oder Postmodern? Traditionalismus, Avantgarde oder Postavangarde? / Moderno ili postmoderno? Tradicionalizam, avangarda ili postavangarda?
(Музикологија / Musicology, 2006)
Mittelpunkt des Aufsatzes sind einige methodologische Probleme bei der Betrachtung der Kunst, bzw. Musik an der Schwelle der zwei Jahrhunderten. Anhang einiger Besonderheiten im Kompositionsverfahren von vier wichtigen ...
Italian musicians in Greece during the Nineteenth Century / Italijanski muzičari u Grčkoj u 19. veku
(Музикологија / Musicology, 2003)
In Greece, the monophonic chant of the Orthodox church and its neumatic notation have been transmitted as a popular tradition up to the first decades of the 20th century. The transformation of Greek musical tradition to a ...
Acoustic vessels as an expression of medieval music tradition in Serbian sacred architecture / Акустички судови као израз музичке традиција српске средњовековне архитектуре
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
Archaeoacoustics is a multidisciplinary field of research focused on the history
of the relatedness of the field of sound and architecture. The architectural history
of Europe, from Antiquity to the modern period, is ...
Towards the Audiovisual Ethnomusicology: The Contribution from the Research of Serbian Epics
(Blagoevgrad : University Publishing House "Neofit Rilski", 2016)
This paper has three main goals: to promote audiovisual ethnomusicology as a way of opening up new possibilities for music research, to contribute to the audiovisual ethnography of the Balkan epics, and to induce the ...
Сценска народна игра и музика: процеси (ре)дефинисања структуралних, драматуршких и естетских аспеката у сценском приказивању традиционалне игре и музике за игру у Србији / Stage Folk Dance and Music: Processes of (re)defining structural, dramaturgical and aesthetic aspects of stage presentation of traditional dance and dance-music in Serbia
(Београд: Музиколошки институт САНУ, 2019)
У току дугогодишњег бављења традиционалном и сценском народном музиком и игром, сазревала је идеја о њиховом проучавању. Од 1999. године, када сам уписала основне студије на Одсеку за етномузикологију Факултета музичке ...
The work of the couple Brailowsky in the mirror of Serbian critiques / Delo Brailovskih i srpska međuratna scena u ogledalu kritike
(Музикологија / Musicology, 2003)
Leonid (1867-1937) and Rimma (1877-1959) Brailowsky brought to Belgrade National theatre (together with other Russian emigrated stage and costume designers) the spirit of the World of Art (Mir Iskusstva), making décor and ...