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Now showing items 731-740 of 758

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Stevan Stojanović Mokranjac and Producing the Image of Serbian Folk-Song: Garlands from »Old Serbia« as a Form of Musical Travelogue / Stevan Stojanović Mokranjac in ustvarjanje podobe srbske ljudske pesmi: Rukoveti (venčki) iz »Stare Srbije« v obliki glasbenega poročila 

Atanasovski, Srđan (Ljubljana : Oddelek za muzikologijo Filozofske fakultete Univerze v Ljubljani, 2012)
By positioning Mokranjac’s garlands from Kosovo and Macedonia into the context of travelogues from ‘Old Serbia’, I will argue that their political significance lay in purported adherence to folklore material. Analyzing ...
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Synthesis and Analysis of Sounds Developed from the Bose-Einstein Condensate: Theory and Experimental Results / Синтеза и анализа звукова развијених из Бозe-Ајнштајновог кондензата: теорија и експериментални резултати 

Novković, Dragan; Peljević, Marko; Malinović, Mateja (Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2018)
Two seemingly incompatible worlds of quantum physics and acoustics have their meeting point in experiments with the Bose-Einstein Condensate. From the very beginning, the Quantum Music project was based on the idea of ...
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Умерени модернизам: од значења појма до уодношавања друштвених појава и композиторских поетика 

Браловић, Милош (Београд : Музиколошки институт Српске академије наука и уметности, 2018)
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JOSIP SLAVENSKI (1896–1955) Povodom 120. godišnjice rođenja kompozitora [On the Occassion of the 120th Anniversary of the Composer’s Birth]. Urednica Ivana Medić [Edited by Ivana Medić] Beograd, Muzikološki institut SANU, 2017. [Belgrade, The Institute of Musicology SASA, 2017] ISBN 978-86-80639-31-4 

Grujić-Vlajnić, Sanja (Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2018)
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Историјски аспекти и савремене праксе извођења староградске музике у Београду / Historical Aspects and Contemporary Performance Practices of “Old Urban Music” (starogradska muzika) in Belgrade 

Dumnić, Marija (Belgrade : Faculty of Music, 2017)
This review was written as part of the project Serbian Musical Identities within Local and Global Frameworks: Traditions, Changes, Challenges (ON 177004), funded by the Ministry of Education, Science, and Technological ...
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Nove (inter)nacionalne perspektive jugoslovenske umetničke muzičke scene (Muzički bijenale Zagreb i Jugoslavenska muzička tribina) 

Marinković, Miloš (Beograd : Klub 128, 2018)
Godine 1961. održan je prvi međunarodni festival savremene muzike u SFRJ – Muzički bijenale Zagreb (Muzički biennale Zagreb). Otvorivši jugoslovenskoj publici horizonte ka savremenoj evropskoj i američkoj muzici, Bijenale ...
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Popular Music and Producing Collectivities: the Challenges of Audience Research in Contemporary Musicology / Популарна музика и произвођење колективитета: изазови истраживања публике у савременој музикологији 

Petrov, Ana (Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2015)
In this paper I deal with the ways in which the audience functions as a means of producing collectivities. I define audience as a material body that is a carrier of affective potential in a certain time and space. Taking ...
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‘The Song Has Kept Us’: Soundscape of Belgrade during the NATO Bombing 

Atanasovski, Srđan (München : Oldenbourg Verlag, 2016)
In this article I explore the sonic and music practices in the experience of the NATO bombing of Belgrade, focusing particularly on their role in the governmental apparatuses both of the NATO forces and of Milošević’s ...
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Kosta P. Manojlović and Narratives on “Southern Serbia” 

Atanasovski, Srđan (Belgrade : Institute of Musicology SASA, 2017)
In this article I will discuss interwar narratives on “Southern Serbia” in the context of music practices, specifically referring to the activities of Kosta Manojlović as music scholar, collector of folk songs, and composer. ...
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Фолклорни мотиви у раним композицијама Николе Бороте Радована / Folklore Motives in the Early Compositions of Nikola Borota – Radovan 

Јовановић, Јелена (Београд : Музиколошки институт Српске академије наука и уметности, 2014)
Стваралаштво Николе Бороте Радована заузима посебно место у развоју југословенске гране (поли)жанра world music у првој половини седамдесетих година XX века. Оно је карактеристично по фузији фолклорних мотива јужнословенске, ...
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