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Интерпретация классических музыкальных произведений в польской и русской анимации как основа творческого диалога / The Interpretation of Classical Music in Polish and Russian Animation as a Basis for Creative Dialogue
(Београд : Музиколошки институт Српске академије наука и уметности, 2016)
Музыкальный анимационный фильм – это точка пересечения авторских
миров – диалог музыканта и художника, это живой процесс визуальной
интерпретации художественного образа музыкального произведения.
Диалог режиссера ...
Химна и Суматра Светислава Божића: сусрет композитора са Милошем Црњанским
(Нови Сад : Библиотека Матице српске, 2018)
Светислав Божић у више се наврата током свог досадашњег стваралаштва инспирисао
поезијом Милоша Црњанског (1893–1977), једног од најутицајнијих имена српске
књижевности XX века. Поред мештовитих хорова, Сербија (1991), ...
Modernism and tradition and the traditions of modernism / Modernizam i tradicija i tradicije modernizma
(Музикологија / Musicology, 2006)
Conventionally, the story of musical modernism has been told in terms of a catastrophic break with the (tonal) past and the search for entirely new techniques and modes of expression suitable to a new age. The resulting ...
The Roots of a National Music Canon and the Taboo of Composing Folk Tunes: The Case of Stevan Stojanović Mokranjac’s Garlands
(Farnham : Ashgate Publishing Limited, 2015)
The cycle of 15 garlands, or folk-song medleys composed by Stevan Stojanović Mokranjac at the end of the nineteenth and the beginning of the twentieth century forms the core of the Serbian art music canon. Thus, it is not ...
Romanian vs. Greek-Turkish-Persian-Arab: Imagining national traits for Romanian church chant / Rumunsko i grčko-tursko-persijsko-arapsko nasleđe - osobenosti rumunskog crkvenog pojanja
(Музикологија / Musicology, 2011)
Romanian cantors, clergymen and musicologists debated the problem of a national church chant from the late 19th century onwards. Amongst other things, they tried to define the specific traits of Romanian chant, to place ...
Towards vita democratica: Urban Soundscapes and the Ruptures of Subjectivity
(Bucureşti : Editura Universităţii din Bucureşti, 2015)
When speaking of democracy, the language of Jacques Rancière becomes strangely physical. “Real democracy“, states Rancière in his paper delivered in 1986, “would presuppose that the demos be constituted as a subject present ...
Voices of earthmen (1995) by Vladan Radovanović: A review / Vladan Radovanović: Glasovi Zemljana (1995) - prikaz
(Музикологија / Musicology, 2007)
This paper discusses the compositional technique and the poetic level of the composition Glasovi Zemljana (Voices of Earthmen) composed by Vladan Radovanović in 1995. The work is based on the composer’s own musical principle, ...
The creation of folk music program on Radio Belgrade before World War Two: Editorial policies and performing ensembles / Kreiranje narodne muzike na programu Radio Beograda do Drugog svetskog rata - uredničke politike i izvođački ansambli
(Музикологија / Musicology, 2013)
This paper deals with the establishing of the organizing models, on one side, and with folk music and its aesthetic characteristics in the interwar period, on the other. This problem significantly contributed to the present ...
Концертна музика савремених српских композитора
(Београд : Музиколошки институт САНУ, 2018)
The Impossible Avant-garde of Vladan Radovanović / Nemogoča avantgarda Vladana Radovanovića
(Ljubljana : Oddelek za muzikologijo Filozofske fakultete Univerze v Ljubljani, 2019)
The term nesuđena avangarda (“undestined avant-garde”) was coined by Milorad Belančić to describe Vladan Radovanović’s unique artistic destiny. Although Radovanović was the only truly avant-garde Serbian composer in the ...