Приказ резултата 1-10 од 615
Dragutin Gostuški 1923-1998
(Novi zvuk - internacionalni časopis za muziku, 1999)
On the orthodox church melos: A contribution to the typology of church chant / O napevu u pravoslavnom crkvenom pojanju - prilog tipologiji crkvenih napeva
Many unresolved questions related to post-Byzantine church chanting present obstacles to understanding some aspects of church music since the 19th century. One of those problems concerns the need for strict definitions of ...
Gubaidulina, misunderstood / Neshvaćena Gubajdulina
Since the early 1980s Sofia Gubaidulina has received numerous accolades, and her music has been performed and recorded worldwide. However, the critics’ reaction to her works has often been resoundingly negative. In particular, ...
Creating Haydn’s Sonatas at the Keyboard – Performer Rights and Responsibilities in Historical Performance / Креирање Хајднових соната за инструменте са диркама: права и одговорности извођача присталица историјски заснованог приступа
(Belgrade : Institute of Musicology SASA, 2014)
In April 2014, fortepianist and Mozart specialist John Irving recorded a CD of solo keyboard sonatas by Joseph Haydn, using a modern copy of a Viennese fortepiano of Haydn’s era. This is an account of the project written ...
Reception of the Istrian musical traditions / Recepcija istarske muzičke tradicije
The successive colonization of Istria with culturally differentiated populations, and peripheral position of the peninsula regarding both the Latin and Slav worlds, has conditioned interesting phenomena which defines the ...
Entre avant-garde et trans-avant-garde: Sur quelques oeuvres de László Dubrovay des années 1980 / Između avangarde i transavangarde - o nekoliko dela Lasla Dubrovaja iz osamdesetih godina XX veka
L’article présente un moment rare et exceptionnel dans l’histoire de la création hongroise des années 1980: quand László Dubrovay, compositeur hongrois, a pu réconcilier la tradition et l’innovation, l’avant-garde et le ...
The 'Guslar': Individual identity and tradition / Guslar - individualni identitet i tradicija
The subject of this paper is the relation between individual and collective identity within the folk-music tradition, from the perspective of ethnomusicology. Solo folk musicians have more latitude than those who perform ...
The word and music of epic song: From syncretism to sung poetry / Reč i muzika epske pesme - od sinkretizma do pevane poezije
This study concerns the relationship between verbal and musical components of Serbian epic songs with rhythm seen as a morphological dominant. My aim is to enrich the musicological inquiry of this issue and provide a ...
(Re)creating the (folk music) tradition: The national competition of brass orchestras at the Dragačevo Trumpet Festival
(New Sound - International Magazine for Music, 2012)
This paper deals with the problem of the treatment of traditional music at the Dragačevo Trumpet Festival, one of the most important folk music festivals in Serbia. In over half a century of its existence, the Festival has ...