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Avant-Garde Echoes in the Neither/Nor State. A Musicologist’s View on the Dissemination of Avant-Garde Movements
(YMM: The East, the West, the In-Between, 2018)
This paper deals with the reception of European avant-garde in the Serbian/Yugoslav context of the 20th century, scrutinized in the highly influential study by Serbian musicologist Mirjana Veselinović-Hofman, “Creative ...
Muzika i mediji - zbornik radova, Univerzitet umetnosti i Fakultet muzičke umetnosti, Beograd, 2004
(Novi zvuk - internacionalni časopis za muziku, 2005)
A critical review of the most important sources on Dimitris Mitropoulos 1896-1960 / Kritički pregled najvažnijih izvora o Dimitrisu Mitropulosu 1896-1960
(Muzikologija, 2003)
As most important books on Dimitris Mitropoulos should be mentioned those by Apostolos Kostios, William R. Trotter and Takis Kalogeropoulos. Two other editions are also valuable: the correspondence Mitropoulos - Katy ...
Innere Emigration und Diktatur die getarnten Botschaften in den Opern der meister aus bojana von Konstantin Iliev und der gefesselte Prometeus von Lazar Nikolov / Unutrašnja emigracija i diktatura - 'Majstor iz Bojane' Konstantina Ilijeva i 'Okovani Prometej' Lazara Nikolova
(Muzikologija, 2004)
Die Frage der "inneren Emigration" in den ehemaligen kommunistischen Ländern Europas wird an Beispielen zweier Opern der wichtigen bulgarischen Komponisten Konstantin Iliev und Lazar Nikolov untersucht. Ähnlich wie Paul ...
Roman Ingarden’s theory of intentional musical work / Ingardenova teorija intencionalnog muzičkog dela
(Muzikologija, 2004)
Roman Ingarden (1893-1970) is a representative of the phenomenological trend in philosophy. He pursued his ontological interests in his fundamental treatise Das literarische Kunstwerk that was the starting point for his ...
Samuel Beckett and music. An absurd essay about the idea of musicality and musical form in Samuel Beckett’s short pieces: influences and possibilities / Semjuel Beket i muzika. Apsurdni esej o ideji muzikalnosti i muzičkoj formi u Beketovim kratkim komadima - uticaji i mogućnosti
(Muzikologija, 2004)
The premise of musicality of Beckett’s short dramas contains more questions than answers. Is the musicality of text present only in the work of Samuel Beckett? Do only the (musical) stage remarks in Beckett’s dramas suggest ...
Критерии „аутентичности” в грузинском народном музыкальном исполнительстве / Criteria of ‘Аuthenticity’ in Traditional Georgian Musical Performance
(Belgrade : Institute of Musicology SASA, 2014)
Для сообщества любителей грузинской традиционной музыки „аутентичное”
– одно из самых актуальных понятий на сегодняшний день. Оно представляет
собой главный аргумент „настоящего фольклора” (хотя не для всех, особенно
...
Srpska muzika na raskršću istoka i zapada? - o dijalogu tradicionalnog i modernog u srpskoj muzici između dva svetska rata
(Novi zvuk - internacionalni časopis za muziku, 2004)
Rezultat dugogodišnjih autorkinih istraživanja evropskih okvira nacionalne muzike, doktorska disertacija Katarine Tomašević, postavlja u centar pažnje one pojave koje su inicirale, prouzrokovale i značajno obeležile razvojne ...
Интерпретация классических музыкальных произведений в польской и русской анимации как основа творческого диалога / The Interpretation of Classical Music in Polish and Russian Animation as a Basis for Creative Dialogue
(Београд : Музиколошки институт Српске академије наука и уметности, 2016)
Музыкальный анимационный фильм – это точка пересечения авторских
миров – диалог музыканта и художника, это живой процесс визуальной
интерпретации художественного образа музыкального произведения.
Диалог режиссера ...
Music critic Gustav Michel / Muzički kritičar Gustav Mihel
(Muzikologija, 2004)
The writers whose real vocation was not music left significant traces in the history of Serbian music critics and essayism of the late 19th century and the first half of the 20th century. Numerous authors, literary historians ...