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Identities expressed through practice of kaval playing and building in Serbia in 1990s
(Belgrade : SASA : Institute of Musicology of SASA, 2012)
This paper discusses the circumstances under which the building and playing of the kaval became topical in Serbia (Belgrade) at the end of twentieth century: the work of the Byzantine choir “Saint John of Damascus” and ...
Introduction: Music and ethnomusicology – encounters in the Balkans / Увод: Музика и етномузикологија – сусрети на Балкану
(Belgrade : Institute of Musicology SASA, 2012)
This paper presents an overview of the latest experiences in ethnomusicological research based on the texts incorporated in this collection of works. These experiences emanate primarily from the local researchers’ works ...