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The Live Album or the Many Ways of Representing Performance
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2014)
The analysis of live albums can clarify the dialectic between studio recordings and
live performances. After discussing key concepts such as authenticity, space, time
and place, and documentation, the author gives a ...
Musical Performance as Storytelling: Memory, European Integration, and the Baltic Youth Philharmonic Оrchestra / Музичко извођаштво као приповедање: памћење, европске интеграције и Балтичка филхармонија младих
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2014)
Storytelling has been theorized as a performative, narrative practice, but it has not been employed often as a trope in studies of musical performance. This article outlines a theoretical context for exploring the possibilities ...
The Inscription of the Feminine Body in the Field of Sound: Vocal Expression as a Platform of Feminine Writing (écriture féminine) / Упис женског тела у поље звука: глас као оруђе женског писма
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2015)
This paper brings together several theoretical issues relevant both to the felds of
musicology/ethnomusicology and feminist/gender studies – above all, the issue
of the status of the voice within the complexity of a ...
What does the Humming Avatar Remember? Composer's Voice and Memory in Ana Gnjatović's Phonations
(Belgrade : Department of Musicology, Faculty of Music, 2018)
Written as a twofold dissertation on Ph.D. studies of composition at the Faculty of Music in Belgrade, which consists of the piece and the autopoetic text, Ana Gnjatović's Phonations for voice and electronics (2016), raises, ...
Julie C. Dunbar, Women, Music, Culture: An Introduction, Routledge, New York – London, 2011, pp. XIX+379
(Belgrade : Faculty of Music, 2014)
Julie Dunbar, the author of a recent publication about musicology and gender studies, is a lecturer and an orchestra conductor at Edgewood College in Madison, Wisconsin. Her textbook, presently taken under consideration, ...
Beyond Reproduction: Semiotic Perspectives On Musical Performance / Више од репродукције: семиотичке перспективе музичког извођења
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2014)
The traditional musicological conception of performance is as the reproduction of pre-existing texts. This makes no allowance for the extent to which meaning emerges from the act of performance, and from the interactions ...