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The Works Commisioned by Belgrade Music Festival (BEMUS) 2002–2013: Contemporary Music Creation in a Transitional Society
(Belgrade : Department of Musicology, Faculty of Music, 2016)
Abstract: In this paper we discuss the role of BEMUS festival in commissioning new musical pieces from Serbian composers in the period between 2002 and 2013. We aim to highlight the high and the low points of the practice ...
Davorin Jenko between Slovenian and Serbian Music. Case Study on Slavonic Music Ideas Migations at the turn of the 20th century
(Portorož : Založba Univerze na PrimorskemLjubljana : Festival, 2017)
Some might estimate that my decision to write a paper on the renowned composer and conductor Davorin Jenko (1835–1914), from the point of view of musical migrations as the main topic of the Symposium, held in Ljubljana, ...
Musical Modernism at the ‘Periphery’? Serbian Music in the First Half of the Twentieth Century / Музички модернизам на "периферији"? Cpncкa музика у првој половини XX века
(Belgrade : Serbian Academy of Science and ArtsBelgrade : Institute of Musicology SASA, 2008)
I will start this paper with some observations which, at first sight, but only supposedly at that, have no relation to the title. They are the result of the subsequent thinking on certain aspects and effect of the 'encounters' ...
Rediscovering Stanislav Vinaver’s Musical Universe. Fragments
(Beograd : Fakultet muzičke umetnosti, 2018)
In several sub-chapters - fragments, the article follows the unique and unusual life and artistic path of Avant-guard poet, writer, philosopher, aesthetician and music critic Stanislav Vinaver in the dynamic and turbulent ...
Сто година од рођења и десет година од смрти композитора: Станојло Рајичић (1910–2010) / One Hundred Years since the Composer’s Birth and Ten Years afyer his Death: Stanojlo Rajičić (1910–2000)
(Београд : Музиколошки институт САНУБеоград : Завод за уџбеникеБеоград : Радио Београд, 2011)
Пуних сто година прошло је од рођења композитора Станојла Рајичића, чији су стварање и укупна делатност на плану музике оставили веома дубок траг у српској и југословенској култури XX века. Десет година прошло је и од часа ...
Conflict and Dialogue between the Old and the New in Serbian Music between the Two World Wars
(Praha : Koniasch Latin Press, 2007)
In this paper, I aim to discuss some general concepts (“Old” and “New”, “Tradition(s)” and “Modernism(s)”) in Serbian music between the two World Wars, not onIy in their national context, but from a broader, European point ...