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What, How, and Why in Serbian Music after the Second World War, in the Light of Ideological-Political Upheavals / Шта, како и зашто у српској музици после другог светског рата, у светлу идеолошко-политичких превирања
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
The subject of this paper concerns the consideration of the social and artistic
position of Serbian music within the framework of socialist cultural policies and
the post-socialist culture of Serbia in transition. That ...
Cultural isolation of Yugoslavia 1944–1960 and its impact on the sphere of music: the case of Serbia / Kulturna izolacija Jugoslavije med letoma 1944 in 1960 ter njen vpliv na področje glasbe: primer Srbije
(Ljubljana : Oddelek za muzikologijo Filozofske fakultete Univerze v Ljubljani, 2015)
In the decades after the end of WW2 and the establishment of the communist regime in Yugoslavia, cultural isolation affected Serbia in more or less the same way as the other five federal republics. This article examines ...
The Ideology of Moderated Modernism in Serbian Music and Musicology / Идеологија умереног модернизма у српској музици и музикологији
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2007)
The term ‘moderated modernism’ has been current for quite some
time in Serbian music historiography, but there have been only a few attempts
to define it. I shall try to define the term, introduce some of its key ...