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The Works Commisioned by Belgrade Music Festival (BEMUS) 2002–2013: Contemporary Music Creation in a Transitional Society
(Belgrade : Department of Musicology, Faculty of Music, 2016)
Abstract: In this paper we discuss the role of BEMUS festival in commissioning new musical pieces from Serbian composers in the period between 2002 and 2013. We aim to highlight the high and the low points of the practice ...
Institute of Musicology, Serbian Academy of Sciences and Arts (1948-2010) / Muzikološki institut Srpske akademije nauka i umetnosti (1948-2010)
(Музикологија / Musicology, 2010)
The article gives an overview of the early days of the Institute, then proceeds to explain the development of the research projects, the further education of research members of the Institute and finally the results of the ...
Approaches to Ancient Greek Mythology in Contemporary Serbian Music: Ideological Contexts
(Athens : Hellenic Music Centre, 2013)
In contemporary Serbian music the opuses of two composers, Vlastimir Trajković (1947) and Aleksandra-Anja Đorđević (1970), stand out as marked by their interest in themes from ancient Greek mythology. It is quite possible ...
What, How, and Why in Serbian Music after the Second World War, in the Light of Ideological-Political Upheavals / Шта, како и зашто у српској музици после другог светског рата, у светлу идеолошко-политичких превирања
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
The subject of this paper concerns the consideration of the social and artistic
position of Serbian music within the framework of socialist cultural policies and
the post-socialist culture of Serbia in transition. That ...
Клавирски трио у српској музици: Ватрења. Удружење композитора Србије / Serbian Music for Piano Trio: Fieriness. Composers Association of Serbia, 2015
(Belgrade : Department of Musicology, Faculty of Music, 2017)
Допринос Петра Кранчевића раду Српског црквеног певачког друштва Кранчевић / Contribution of Petar Krancevic to the Work of Serbian Church Singing Society in Sremska Mitrovica
(Неготин : Дом Културе, 2016)
У тексту се сагледава уулога композитора и диригента Петра Кранчевића (1869-1919) и делатност важног ансамбла у музичком животу Сремске Митровице XIX века - Српског црквеног певачког друштва Кранчевић. Циљ истраживања је ...
After Zero Hour: States as “Custodians of Universal Human Culture,” or “Guardians of Advanced Art” / После нулте године: државе као „чувари универзалне културе човечанства” или „чувари напредне уметности”
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
The emergence of radically new, avant-garde movements in German music and
throughout Western Europe after WW2 has often been seen as expressing a
strivings to create on a tabula rasa, in order to create distance from the ...
In the Orbit of Shostakovich: Vasilije Mokranjac's Symphonies
(United States of America : Charles Schlacks, 2013)
Born into a famous Serbian musical dynasty, Vasilije Mokranjac (19231984) emerged as a distinctive talent on his own and became one of the most renowned Serbian/Yugoslav composers of the second half of the twentieth century, ...
Музикологија 23 (II /2017) / Musicology 23 (II /2017)
(Београд : Музиколошки Институт Српске академије наука и уметности, 2017)
Тема броја 23 Рефлексије о социјализму инспирисана је великим међународним научним скупом Музичко наслеђе државног социјализма – Преиспитивање наратива о послератној Европи, одржаним септембра 2015. године у Београду.
С ...
Ancient Greek Mythology Mediated by Latin Culture: on Vlastimir Trajković's Arion and Zephyrus Returns / Античка грчка митологија посредована латинском културом. О Ариону и Повратку Зефира Властимира Трајковића
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2012)
Vlastimir Trajković (b. 1947) is a prominent Serbian composer with a strong inclination
towards subjects from ancient Greek mythology. Among his most important achievements may
be counted Arion – le nuove musiche per ...