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Serbian music criticism in the first half of the twentieth century: Its canon, its method and its educational role / Starija srpska muzička kritika - kanon, postupak, prosvetiteljska tendencija
(Музикологија / Musicology, 2008)
Serbian music criticism became a subject of professional music critics at the beginning of the twentieth century, after being developed by music amateurs throughout the whole previous century. The Serbian Literary Magazine ...
Mjesto Richarda Wagnera u muzikološkom opusu Miloja Milojevića
(Split : Sveučilište u Splitu, Umjetnička akademija, 2018)
The reception of west European music in Belgrade between world wars: On the examples of 'Muzički glasnik' and 'Muzika' magazines / Recepcija zapadnoevropske muzike u međuratnom Beogradu - primer časopisa Muzički glasnik i Muzika
(Музикологија / Musicology, 2011)
The very first music magazines started in Belgrade between World Wars were 'Muzički glasnik' (issued monthly from January to December 1922) and 'Muzika' (also issued monthly in the period January 1928 - March 1929). These ...
Osterc's letters to Milojević / Osterčeva pisma Milojeviću
(Музикологија / Musicology, 2002)
The correspondence between two of the most important composers in Yugoslavia during the period between the two world wars: Miloje Milojević (1884-1946), a Serb living in Belgrade, and Slavko Osterc (1895-1946), Slovene ...
Музичкотеоријски написи Властимира Трајковића у светлу залагања за ново вредновање српске уметничке музике / Music-Theoretical Writings of Vlastimir Trajković as a Reflection of His Advocating for a New Recognition of Serbian Art Music
(Београд : Музиколошки институт Српске академије наука и уметности, 2021)
In this paper I analyse selected articles by the composer and academician Vlastimir Trajković (1947–2017), published in various collective monographs and journals over the period of nearly three decades (1982–2008). These ...
Značaj Srpskog književnog glasnika (1901-1941) u istoriji Srpske muzike
(Wien : Hollitzer Verlag, 2018)
Rediscovering Stanislav Vinaver’s Musical Universe. Fragments
(Beograd : Fakultet muzičke umetnosti, 2018)
In several sub-chapters - fragments, the article follows the unique and unusual life and artistic path of Avant-guard poet, writer, philosopher, aesthetician and music critic Stanislav Vinaver in the dynamic and turbulent ...
Balkans as a cultural symbol in the Serbian music of the first half of the twentieth century / Balkan kao simbol kulture u srpskoj muzici prve polovine XX veka
(Музикологија / Musicology, 2008)
Focus on the internalization of Western images in the Balkans has special significance in researching Serbian art. The functioning of Balkanism as it overlapped and intersected with Orientalism is indicated in the text by ...
„Руски хор који Русија није чула“: Хор донских козака Сергеја Жарова на концертној сцени међуратног Београда / „А Russian Choir that Russia Had Never Heard Before“: The Don Cossack Choir Serge Jaroff on the Concert Stage in the Interwar Belgrade
(Београд : Музиколошки институт Српске академије наука и уметности, 2020)
After the October Revolution, the Russian tradition of spiritual and folk choral
singing was introduced to the whole world by the active work of choirs that
appeared in exile. The Don Cossack Choir Sergei Jaroff and the ...
Serbian Literary Magazine and avant-garde music / Položaj avangarde u srpskoj muzičkoj kritici i esejistici prve polovine XX veka - Srpski književni glasnik
(Музикологија / Musicology, 2005)
One of the most excellent periodicals in the history of Serbian literature Serbian Literary Magazine (1901-1914, 1920-1941), also played an exceptionally important part in the history of Serbian music criticism and essay ...