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William Byrd and the Limits of Formal Music Analysis / Вилијам Берд и ограничења формалне анализе музике
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
Writing in 1962, Joseph Kerman was the first to speculate about potentially
subversive political meanings in the Cantiones sacrae of the English Renaissance
composer William Byrd, his two collections of motets published ...