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On Missed Opportunities: The International Review of Composers in Belgrade and the “Postsocialist Condition”
(Belgrade : Institute of Musicology SASA, 2020)
In this article we observe the history of the International Review of Composers in Belgrade, the most enduring annual festival of contemporary art music in Serbia, founded in 1992. We have borrowed the syntagm ‘postsocialist ...
Center for Popular Music Research and Popular Music Studies in Serbia: Institutionalization on the Musicological Margins
(Hägersten : The International Association for the Study of Popular Music, 2020)
The subject of this article is the Center for Popular Music Research in Belgrade, Serbia, founded in 2013. More precisely, this paper deals with the context of the foundation of the Center on the “margins” of musicology, ...
Tradition and Youth: Music Heritage from Serbia
(Belgrade : Institute of Musicology SASA, 2020)
Echoes of a Distant Past: Serbian Piano Music Inspired by the Orthodox Tradition
(London : University of London, Goldsmiths Centre for Russian MusicBelgrade : Institute of Musicology SASA, 2020)
Критичарски погледи Бранка Драгутиновића / Critical Views of Branko Dragutinović
(Нови Сад : Матица српска, 2020)
Студија је посвећена критичарском раду Бранка Драгутиновића (1903–1971) у београдском музичком часопису Звук (1932–1936). Један од најплоднијих и најзначајнијих српских музичких критичара XX века, Драгутиновић је у међуратном ...
Vlach Vocal Traditional Music in the Region of Homolje from the Legacy of Olivera Mladenović / Традиционална вокална музика Влаха у Хомољу у заоставштини Оливере Младеновић
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2020)
Olivera Mladenović researched Vlach culture in the 1980s. Recordings preserved
in the archive of the Institute of Ethnography SASA also contain examples of vocal
practice of the Vlachs from Homolje region (Northeast ...