Now showing items 1-10 of 25
Competitions as a form of public gusle playing performance / Takmičenja kao oblik javne guslarske prakse
This paper offers an ethnomusicological perspective on competitions of guslars (players of a single-stringed musical instrument gusle predominantly used to accompany the voice of a singer reciting epic poetry), here ...
Octoechos: A model and inspiration for Serbian medieval hymnographer / Oktoih - uzor i inspiracija za srednjovekovne srpske himnografe
Octoechos is not merely a musical manual in everyday use during the service in Orthodox Church, but also a comprehensive anthology of church poetry. It contains poetical works of great Byzantine poets, such as John of ...
From the ritual of the matins service: The insertion of poetic texts in the chant of the Polyeleos / Iz službe jutrenja - umetanje poetskih tekstova u napev polijeleja
In this paper I will examine the practice of inserting non-psalmic poetic texts in the compositions of the Polyeleoi. It is a process of adding or interpolating a poem the content of which is always related to a particular ...
Special melodic formulas in the Psalm cycles of the Vigil in Russian manuscripts of the 16th to 18th centuries / Posebne melodijske formule u psalamskom ciklusu bdenja u ruskim rukopisima od XVI do XVIII veka
This paper discusses the melodic formulas of psalmodic cycles of the Vigil in Russian manuscripts of the 16th to 18th centuries. It shows that some special formulas are used in the melos of the psalmody, along with the ...
On the multicultural and intercultural approach to interpreting singing traditions of orthodox peoples in the Balkans: The case of 'Greek' and 'Western European' school in Byzantine musicology / O multikulturalnom i interkulturalnom pristupu u tumačenju pojačke tradicije pravoslavnih naroda na Balkanu - slučaj 'Grčke' i 'zapadnoevropske' škole u vizantološkoj muzikologiji
The paper follows the problem of a possible realization of the concept of multiculturalism and interculturalism on the example of two scientific schools in young Byzantine musicology: 'Eastern - Greek' and 'Western' with ...
The ideology of Yugoslav nationalism and primordial modernism in interwar music / Ideologija jugoslovenskog nacionalizma i primordijalni modernizam u međuratnoj muzici
In this paper I strive to illuminate the connections between the ideology of Yugoslav nationalism and the discourse on music and music production in the interwar Kingdom of Yugoslavia. In order to comprehend the traits ...
Spaces of modernism: Ljubica Marić in context / Prostori modernizma - opus Ljubice Marić u kontekstu muzike njenog vremena, Zbornik radova sa naučnog skupa održanog od 4. do 7. novembra 2009. godine u Beogradu, Dejan Despić, Melita Milin (ur.), Srpska akademija nauka i umetnosti, Muzikološki institut SANU, Beograd, 2010
The attitude of the state sphere towards singing associations in Serbia and Kingdom of Yugoslavia / Odnos sfere države prema pevačkim udruženjima u Srbiji i Kraljevini Jugoslaviji
Financial dependence of singing societies in the state of Serbia and Kingdom of Yugoslavia is particularly analyzed in the paper, with a view to pointing to problems which hindered the advancement of music culture in the ...
Chromaticism: A theoretical construction or a practical transformation? / Hromatika - teorijska konstrukcija ili praktično preinačenje?
Chromaticism is a phenomenon which is shared by different musical cultures. In the Balkans it is evident both in ecclesiastical and traditional music. In antiquity it was attested by ancient Greek writers and was described ...