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Arthur Lourié and his conception of revolution / Artur Lurije i njegova koncepcija revolucije
(Muzikologija, 2012)
Arthur Lourié’s conception of revolution (political as well as cultural) is explored through his writings, with particular emphasis on its evolution from his Russian period to his Parisian and American exiles. Analysing ...
Music and rhetoric in ekphonesis: The neume synemba / Melodijsko i retoričko značenje neume synemba
(Muzikologija, 2011)
In the development of ekphonetic notation, three phases are recognized: the pre-classical (9th-10th c.), the classical (11th-12th c.) and the degenerate system. By the end of the 12th century, in some manuscripts the rules ...
Microfilms and photographs of neumatic manuscripts in the SASA Institute of Musicology Archives / Mikrofilmovi i fotografije neumskih rukopisa u Arhivu Muzikološkog instituta SANU
(Muzikologija, 2010)
Microfilms of neumatic MSS, and photographs of some folia taken from neumed codices kept at the SASA Institute of Musicology Archives, are represented in this paper. In the microfilms, there are mainly heirmologia from ...
Institute of Musicology, Serbian Academy of Sciences and Arts (1948-2010) / Muzikološki institut Srpske akademije nauka i umetnosti (1948-2010)
(Muzikologija, 2010)
The article gives an overview of the early days of the Institute, then proceeds to explain the development of the research projects, the further education of research members of the Institute and finally the results of the ...
The politics of spectacle: Italian music and fascist propaganda / Politike spektakla - italijanska muzika i fašistička propaganda
(Muzikologija, 2012)
Propaganda played a very important role during Fascism; the kind of propaganda used by Mussolini to build a totalitarian state was to a very large extent based on his own personality cult, on the myth of the leader. Despite ...
O статусу музике и музичких инструмената у арапској култури после објаве ислама / On the Staus of Music and Musical Instruments in Arabic Cultures after the Advent of Islam
(Београд : Музиколошки институт Српске академије наука и уметности, 2014)
Када се у арапским медијима појави вест да се у једној исламској земљи у
одређеном друштвено-религијском контексту не гледа са одобравањем на
свирање музичких инструмената, реактуелизује се питање статуса музике у
исламу. ...
Common scale features of the recent Greek and Serbian church chant traditions / Zajedničke lestvične osobenosti novije grčke i srpske crkveno-pojačke tradicije
(Muzikologija, 2008)
This paper is an attempt to show the similarity between the Serbian and Greek Post-Byzantine chanting traditions, especially those which relate to the scale organization of modes. Three teachers and reformers from ...
Special melodic formulas in the Psalm cycles of the Vigil in Russian manuscripts of the 16th to 18th centuries / Posebne melodijske formule u psalamskom ciklusu bdenja u ruskim rukopisima od XVI do XVIII veka
(Muzikologija, 2011)
This paper discusses the melodic formulas of psalmodic cycles of the Vigil in Russian manuscripts of the 16th to 18th centuries. It shows that some special formulas are used in the melos of the psalmody, along with the ...
Romanian vs. Greek-Turkish-Persian-Arab: Imagining national traits for Romanian church chant / Rumunsko i grčko-tursko-persijsko-arapsko nasleđe - osobenosti rumunskog crkvenog pojanja
(Muzikologija, 2011)
Romanian cantors, clergymen and musicologists debated the problem of a national church chant from the late 19th century onwards. Amongst other things, they tried to define the specific traits of Romanian chant, to place ...
An enigmatic hymn for saint Petka-Paraskeva: The canon and its interpretation in the thematic replacement of chants / Zagonetna himna za sv. Petku-Paraskevu: Kanon i njegove interpretacije u tematskoj zameni napeva
(Muzikologija, 2011)
In MS Lavra E-10 / Z-58 from the 17th c. there is a sticheron ωdesnuju Spasa predsta devo in plagal second mode (sixth mode) for the service in honour of St. Petka-Paraskeva (14 October). Such a hymn cannot be found in ...