Приказ резултата 1-7 од 7
'It does not matter that she is a female, she will be a gusle player': The ideology of an instrument / 'Neka je žensko, ali biće guslar'- ideologija jednog instrumenta
Within the theoretical and methodological framework based on the concept of the ideology of tradition, I analyze a wide and complex repertoire of attitudes toward female gusle players. Aside from the techniques of ...
Ethnomusicological biography of the traditional folk musician: Biography of the gusle-player / Etnomuzikološki 'portret' narodnog muzičara - guslar
With the development of ethnomusicology from a comparative discipline to an anthropologically oriented science there has been an increase in the significance of the biography of folk musicians as scientific sources. The ...
Gudački kvarteti Josipa Slavenskog: elementi modernizma
(Beograd : Muzikološki institut SANU, 2017)
The 'Guslar': Individual identity and tradition / Guslar - individualni identitet i tradicija
The subject of this paper is the relation between individual and collective identity within the folk-music tradition, from the perspective of ethnomusicology. Solo folk musicians have more latitude than those who perform ...
(Re)creating the (folk music) tradition: The national competition of brass orchestras at the Dragačevo Trumpet Festival
(New Sound - International Magazine for Music, 2012)
This paper deals with the problem of the treatment of traditional music at the Dragačevo Trumpet Festival, one of the most important folk music festivals in Serbia. In over half a century of its existence, the Festival has ...
The traditional and modern in church music: A study in canon and creativity / Tradicionalno i moderno u crkvenoj muzici - ogled o kanonu i inventivnosti
Definitions of the terms "traditional" and "modern", relating to the chanting tradition of the Eastern Church, sprang from research into so-called kalophony - a specific compositional method that established melismatic ...
Competitions as a form of public gusle playing performance / Takmičenja kao oblik javne guslarske prakse
This paper offers an ethnomusicological perspective on competitions of guslars (players of a single-stringed musical instrument gusle predominantly used to accompany the voice of a singer reciting epic poetry), here ...