Now showing items 1-5 of 5
INSAM Journal of Contemporary Music, Art and Technology 1 (I/2018)
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 15-12-2018)
Rebecca Jane Bennet and Angela Cresswell Jones (Eds.), The Digital Evolution of Live Music. Kidlington, Chandos Publishing, Elsevier, 2015, 143 pp. ISBN 978-0-08-100067-0
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 12-2018)
What Does Quantum Music Sound Like and What Would Pierre Boulez Think of It? Super Position (Many Worlds) by Kim Helweg (2017) / Како звучи квантна музика и шта би Пјер Булез мислио о томе? Супер позиција (много светова) Kима Хелвега (2017)
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2018)
Pierre Boulez (1925–2016) devoted a great deal of time and consideration to the relationship between the composer’s invention and performance media, in particular those related to the application of the latest technological ...
INSAM Journal of Contemporary Music, Art and Technology 2
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 15-07-2019)
The subject of machine learning and creativity, as well as its appropriation in arts is the focus of this issue with our Main theme of – Artificial Intelligence in Music, Arts, and Theory. In our invitation to collaborators, ...
Past Music, Future Music: Technology and Music Institutions in the 20th Century
(Belgrade : Department of Musicology, Faculty of Music, 2016)
In his text "Technology and the Composer" Pierre Boulez writes about new technologies that emerged in the 20th century, primarily created for the purposes of music recording and reproduction, but also established as means ...