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Apple on the Moon: Karlheinz Stockhausen’s Telemusik
(Belgrade : Faculty of Music, 2018)
Process in the aesthetical and theoretical thought of Karlheinz Stockhausen
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2018)
Process is the key aspect of Karlheinz Stockhausen’s (1928–2007) musical discourse. In this paper, I aim to present the composer’s understanding of the word process and mark the place that this word has in the aesthetical ...
An Apple on the Moon: Karlheinz Stockhausen's "Telemusik"
(Belgrade : Faculty of Music, 2020)
The article deals with Stockhausen’s first journey to Japan that affected his later production and worldview. The composer was fascinated by Japanese culture, which inspired him to integrate it into his composition that ...
Формула као средство прокреације: Мантра Карлхајнца Штокхаузена
(Београд : Факултет музичке уметности, Катедра за музикологију, 2017)
Увођењем идеје формуле у својој композицији Мантра, Карлхајнц Штокхаузен долази до преокрета у свом стваралаштву 1970-их година. Овај рад се бави концептом формуле, као и феноменима који су подстакли Штокхаузена да уведе ...
Ivana Medić, Theory and Practice of Gesamtkunstwerk in the 20th and 21st Centuries – Karlheinz Stockhausen’s Operatic Cycle LIGHT/LICHT; Belgrade: Institute of Musicology SASA, 2019, ISBN 978-86-80639-33-8
(Sarajevo : INSAM Institute for Contemporary Artistic Music, 2020)