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Приказ резултата 11-20 од 37
Integration and disintegration: Serbian monophony in a polyphonic context / Integracija i dezintegracija - srpski jednoglas u kontekstu višeglasa
(Музикологија / Musicology, 2011)
The venerable arguments concerning the validity of harmonized music in the Orthodox Church continue. Serbia is unique in that the codifiers of the monophonic repertoire (in particular Stankoviš and Mokranjac) were also the ...
Center for Popular Music Research and Popular Music Studies in Serbia: Institutionalization on the Musicological Margins
(Hägersten : The International Association for the Study of Popular Music, 2020)
The subject of this article is the Center for Popular Music Research in Belgrade, Serbia, founded in 2013. More precisely, this paper deals with the context of the foundation of the Center on the “margins” of musicology, ...
Етномузиколошки приступи градској музици у Србији / Ethnomusicological approaches to urban folk music in Serbia
(Београд: Удружење фолклориста Србије, Универзитетска библиотека "Светозар Марковић"Лозница: Центар за културу "Вук Караџић"Тршић: Научно-образовно културни центар "Вук Караџић", 2021)
Етномузиколошка проучавања у Србији доминантно су усмерена на сеоску народну музику. Ипак, градска народна музика била је предмет теренских бележења, али и стручних критика у Србији, а пратећи глобалне дисциплинарне токове ...
Tradition and Youth: Music Heritage from Serbia
(Belgrade : Institute of Musicology SASA, 2020)
Annual concerts of cultural-artistic associations in Serbia: the clash of two different Concepts of professionalization
(Belgrade : Faculty of Music, 2016)
In this paper two concepts of professionalization are observed within a unique cultural context: the annual concept of the cultural-artistic society (KUD) in a small town in central Serbia. It is about the conception 1) ...
Identities expressed through practice of kaval playing and building in Serbia in 1990s
(Belgrade : SASA : Institute of Musicology of SASA, 2012)
This paper discusses the circumstances under which the building and playing of the kaval became topical in Serbia (Belgrade) at the end of twentieth century: the work of the Byzantine choir “Saint John of Damascus” and ...
Patterns of music taste as markers of sociocultural transformation in Serbia between the two world wars: The example of Jovan Frajt's music publications
(Belgrade : Faculty of Music, 2014)
The available printed scores form Jovan Frajt's collection, as well as the preserved fragments of his catalogue, are analysed thoroghly. The results of the analysis are explained in depth using the published statistical ...
Questioning the Possibility of Revitalising Traditional Rural Songs in Topola, Serbia
(Newcastle upon Tyne : Cambridge Scholars Press, 2010)
This chapter will explore the possibility of reviving the Serbian musical tradition in the city of Topola in Šumadija, Serbia’s central region. I will draw upon a singing workshop that I gave to, and that informed a field ...
Ликовни, етнографски и литерарни извори о инструменту кавалу на територији Србије и Македоније / Sources in medieval paintings, ethnographic and literary sources about the instrument kaval in Serbia and Macedonia
(Нови Сад : Матица српска, Одељење за сценске уметности и музику, 2013)
Растућа популарност кавала у савременим условима у Србији иницирала је потребу за синтетичким радом у којем би, паралелним сагледавањем разнородних података о овом инструменту са простора Србије и Македоније, била омогућена ...
Ethnomusicological Researches in Šumadija
(Brčko : Association for Fostering of the Serb Cultural- Historical Heritage Baštinar, 2007)
Šumadija is nowadays defined as a geographical area in central Serbia, between the rivers Sava and Danube in the north, Velika Morava in the cast, Zapadna Morava in the south, Kolubara in the west and the Kamenica - Čemernica ...