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New Data, New Methods? Sources on Ladies’ Salon Orchestras in Europe, 1870–1918 / Нови подаци, нове методе? Грађа о европским женским оркестрима, 1870–1918
(Београд : Музиколошки институт САНУ, 2019)
This article addresses the problems that pertain to macro-historical data in music research. By presenting examples from recent research on European ladies’ orchestras of the late nineteenth century, I aim to establish how ...
The 'ugliness' of Jewish prayer: Voice quality as the expression of identity / 'Ružnoća' jevrejske molitve - kvalitet glasa kao izraz identiteta
(Музикологија / Musicology, 2007)
This article is based on the musical material and interviews the author collected in Hungary, France, Czechoslovakia, the USA and Israel in the course of thirty years of her fieldwork among the traditional East-Ashkenazi ...
Greek composers of the Ionian islands in Italian musical life during the 19th century / Grčki kompozitori na Jonskim ostrvima u italijanskom muzičkom životu tokom 19. veka
(Музикологија / Musicology, 2003)
During the 19th century most of the Ionian islands played a leading role in the Greek musical life. The vicinity of the islands with Italy combined with the Venetian domination were two facts that helped the creation of ...
Ways of Serbian music 1919-1944 / Putevi srpske muzike od 1919. do 1944. godine
(Музикологија / Musicology, 2001)
After the First World War Serbian music was undertaking a new start Everything was new, nothing was as before, but... in the music some old paths were preserved, although new generation, not very young in the post-war ...
Црквена музика у светлости државног законодавства у Кнежевини и Краљенвини Србији / Church Music in the Light of National Legislation in the Principality of Serbia and the Kingdom of Serbia
(Београд : Музиколошки институт Српске академије наука и уметности, 2012)
Сагледавањем државних одредаба које су се тицале општег и богословског
образовања, а у коме је своје место имала црквена музика, стиче се увид у односе
државне и црквене власти, с једне стране, као и државне и црквене ...
Учење певања уз гусле у Србији у XXI веку / Learning to sing with the accompaniment of the gusle in Serbia in the XXI century
(Београд : Музиколошки институт Српске академије наука и уметности, 2012)
Учење певања уз гусле у овом раду се разматра као активност у оквиру
заштите традиционалне народне музике као нематеријалног културног наслеђа, и, у
том смислу, специфичан вид музичке едукације. Гусларски подмладак у ...
Bulgarian wedding music between folk and chalg: Politics, markets and current directions / Bugarska svadbarska muzika između folka i čalge - politika, tržište i današnje usmerenje
(Музикологија / Musicology, 2007)
This article investigates the performative relationship among folklore, the market, and the state through an analysis of the politics of Bulgarian wedding music. In the socialist period wedding music was condemned by the ...
Dr. Nele Karajlić in the Framework of the “New Primitives” / Др Неле Карајлић у оквиру „новог примитивизма”
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2017)
The “New Primitives” is an alternative, and later, a cultural movement that emerged
in Sarajevo in the late 1970s and early 1980s; the movement officially ceased to
exist in 1987. The most substantial cultural capital ...
On the (in)completeness of Schoenberg's oratorio die Jakobsleiter / O (ne)završenosti Šenbergovog oratorijuma Die Jakobsleiter
(Музикологија / Musicology, 2009)
The question why Arnold Schoenberg did not complete his oratorio Die Jakobsleiter according to his initial plan, but instead decided to set to music only the text from the first part of the work and to compose the Great ...
Lundberg Dan, Malm Krister, Owe Ronström: Music, media, multiculture: Changing musicscapes, Svenskt Visarkiv, Stockholm, 2003
(Музикологија / Musicology, 2008)