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      Orthodox Church Music at the Crossroads between Central-European and Mediterranean Cultural Heritage [1]
      Orthodoxy, Music, Politics and Art in Russia and Eastern Europe [1]
      Orthodoxy, Music, Politics and Art in Russia and Eastern Europe. Edited by Ivan Moody and Ivana Medić. London: University of London, Goldsmiths, Centre for Russian Music; Belgrade: Institute of Musicology SASA, 2020. ISBN 978-86-80639-57-4 (IMSASA) [1]
      Osmoglasnik u muzičkoj tradiciji Južnih Slovena [1]
      Osterc's letters to Milojević [1]
      Osterčeva pisma Milojeviću [1]
      Overcoming the Crisis of Tonality: The Resemantized Tonality of Modernism [1]
      Overlapping Paradigms: Exploring the Notion of Performance from the Viewpoints of Musicology and Performance Studies [1]
      Overlapping Paradigms: Exploring the Notion of Performance from Viewpoints of Musicology and Performance Studies [1]
      Oсавремењена архаика: Vers Byzance..., концерт за виолу и гудачки оркестар Ивана Јевтића [1]
      Oснове јеврејске сефардске музичке традиције у Босни и Херцеговини и World music сцена [1]
      Panel. Labeling National Identity: Serbian Folk Music, Military Bands and Orthodox Church Chant on 78 rpm Gramophone Records [3]
      Panel: Traditional Music and Dance Industries in Serbia and Yugoslavia from the Mid-19th Century to the Present Day [3]
      Parenting the Piano: Miroslav Miša Savić's St. Lazarus Waltz [1]
      Past Music, Future Music: Technology and Music Institutions in the 20th Century [1]
      Patriarchial Ifos in the Perception of Greek Church Chanters [1]
      Patterns of music taste as markers of sociocultural transformation in Serbia between the two world wars: The example of Jovan Frajt's music publications [1]
      Pavle Stefanović and the Forum Music Today / Musical Modernism on Radio Belgrade 3 [1]
      Performance of Musical Scale in Traditional Vocal Homophony: Lithuanian Examples [1]
      Performative gestures in Beethoven’s piano sonatas [1]