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ДАИС
Музиколошки институт САНУ / Institute of Musicology SASA
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ДАИС
Музиколошки институт САНУ / Institute of Musicology SASA
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Наслови
A New Interdisciplinary Approach to the Study of the Origins of Traditional Polyphony
[1]
A Non-alignment Story: History of Metal Music in Yugoslavia
[1]
A Peasant’s Interview with a Foreign Journalist by Predrag Milošević in Relation to the Question of Socialist Realism in Serbian Music History
[1]
A Russian Triodion Sticherarion From the Late 12th Century – MS Hilandar 307
[1]
A Sick Genius? The Critical Reception of Alexei Stanchinsky
[1]
A song that will not die: Shifting symbolism in the interpretation of two sanguineous operas
[1]
A szerkesztők előszava
[1]
A Voice from the Beginning: The First History of Music in Serbia (Ljubomir Bošnjaković, 1921)
[1]
A wail of two cities: radiophonic composition Lacrimosa by Ivana Stefanović
[1]
About songs called brojenica from Gornja Jasenica: Typology
[1]
About the melodic type of the song Čubro maro and about its geographical diffusion
[1]
According the role of traditional songs in the communication process at present. Experience from Serbia
[1]
Acoustic vessels as an expression of medieval music tradition in Serbian sacred architecture
[1]
Activism on Musical Stage: The Case of the Opera “The Last Little Girls”
[1]
Activist Musicology and Informal Multimedia Archives: The Case of YouTube Channel “Serbian Composers”
[1]
Addressing a Rivalry in Music. Schubert’s Compositional Choices and the Concept of the “Beethoven Project”
[1]
African American jazz singers and the politics of identity in the 1960s: the case of Nina Simone
[1]
Afroameričke džez pevačice i politike identiteta u SAD 60-ih godina prošlog veka: slučaj Nine Simon
[1]
After The Golden Period: Opera of the Belgarde National Theatre (1971–2011)
[1]
After the Golden Period: Opera of the Belgrade National Theatre (1971-2011)
[1]
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