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Foreign Music in Belgrade Between the World Wars: Reception in the Herald of the Stanković Music Society / Music Herald [1]
Foreword of the editors [1]
Forming Science of Music in Writings of Aristoxenus of Tarentum [1]
Francuska muzika u međuratnom periodu [1]
From communism to capitalism via the wars: The landscape of Serbian music 1985-2005 [1]
From Emulation to a Great Masterpiece. Two Serbian Composers of the 1950s [1]
From gramophone records to mass audience: Film schlagers and popular songs and dances in Radio Belgrade programming (1929–1941) [1]
From great expectations to great disappointments: Petar Krstić’s contribution to the process of reforms of music education in interwar Yugoslavia (1918–1921) [1]
From modernism to socialist realism in four years: Myaskovsky and Asafyev [1]
From Myth to Reality: Stevan Stojanović Mokranjac and Serbian Church Music [1]
From Myth to Territory: Vuk Karadžić, Kosovo Epics and the Role of Nineteenth-Century Intellectuals in Establishing National Narratives [1]
From Pain to Pleasure: The Troping of Elegy in the Renaissance Italian Madrigal [1]
From Polystylism to Meta-Pluralism: Essays on Late Soviet Symphonic Music [1]
From the Archives of the SASA Institute of Musicology: Journal Pozorište (1968–2005) [1]
From the Autonomy of Art to the Emancipation of National Identities: Aesthetic or Political Ideas of Branko Lazarević in the 20th Century Journal [1]
From the Hilandar’s chanters’ treasury - Vikentije monk from Hilandar monastery, Art print, Novi Sad, 2003 [1]
From the ritual of the matins service: The insertion of poetic texts in the chant of the Polyeleos [1]
From “Father Figure” to “Persona Non Grata”: The Dismissal of Kosta P. Manojlovic from the Belgrade Muzicka akademija [Music Academy] [1]
Funding Festivals: Bringing the World to Sarajevo [1]
Gender Perspectives of Instrumental Jazz Performers in Southeastern Europe [1]