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DAIS
Музиколошки институт САНУ / Institute of Musicology SASA
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DAIS
Музиколошки институт САНУ / Institute of Musicology SASA
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Naslovi
La conception en tant que transmission: L'antiquité grecque selon Albert Roussel
[1]
La musique française dans l'entre-deux guerres
[1]
Labyrinths of Existence: Ljubica Marić’s ‘Po-Etics’ Between Philosophy, Poetry and Music
[1]
Lajić-Mihajlović Danka: Svadbeni običaji i pesme Crnogoraca u Bačkoj, Institut za muzikologiju i etnomuzikologiju Crne Gore, Podgorica, 2004
[1]
Lajić-Mihajlović Danka: Wedding customs and songs of Montenegrins in Bačka
[1]
Le système de l'harmonie de Rameau dans sa correspondance avec d'Alembert et Rousseau
[1]
Learning to sing with the accompaniment of the gusle in Serbia in the XXI century
[1]
Learning Traditional Singing in Serbian Clubs in Vienna – Economic Aspects between Amateurism and Professionalism
[1]
Legacy collection of composers in the SASA Institute of Musicology
[1]
Legal Aliens: Serbian Composers in Western Europe Today
[1]
Les modèles économiques du genre de la comédie musicale en Serbie et en France depuis 2005
[1]
Les poèmes ragusains de Dejan Despić
[1]
Lesser Known Works by Josip Slavenski from the Archival Collection at the Faculty of Music in Belgrade: A Thesis on Cultural Memory
[1]
Library of the SASA Institute of Musicology
[1]
Lica srpske muzike: Popularna muzika (posthumno izdanje)
[1]
Life of the Opera Boris Godunov by M. P. Mussorgsky on the Scene of the National Theater in Belgrade
[1]
Listening to “the Human Without a Soul” – Outline for an Audience-Centred History of Broadcasting in Communist Albania
[1]
Literature on Music in the Southslavic Choral Union Herald (1935–1938)
[1]
Looking at the Master Narrative: A Possible Interpretation Strategy
[1]
Lost in scales: Balkan folk music research and the ottoman legacy
[1]
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