Now showing items 339-358 of 1374

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      Jacques Attali's Concept of the Political Economy of Music in the Context of the Recording Industry in Former Yugoslavia [1]
      Janáček’s and Freud’s Vienna: the Fight for Recognition of Two Great Contemporaries [1]
      Jelena Jovanović (prir.): Sa Oplenca kliknu vila - tradicionalne pesme, KUD "Oplenac", Topola, 2007 [1]
      Jelena Jovanović (prir.): Šta se čuje kroz goru zelenu? - pevačka i sviračka tradicija Gornje Jasenice, Muzikološki institut SANU, Beograd, 2007 [1]
      Jelena Novak, Opera in the times of media [1]
      Jeremić-Molnar Dragana, Aleksandar Molnar: Mit, ideologija i misterija u tetralogiji Riharda Vagnera - prsten Nibelunga i Parsifal, Beograd, Zavod za udžbenike i nastavna sredstva, 2004 [1]
      Jeremić-Molnar Dragana, Aleksandar Molnar: Myth, ideology and mystery in Richard Wagner's tetralogy, Beograd, Zavod za udžbenike i nastavna sredstva, 2004 [1]
      Jeremić-Molnar Dragana: Srpska klavirska muzika u doba romantizma (1841-1914), Matica srpska, Novi Sad, 2006 [1]
      Jernej Weiss: Emerik Beran (1868-1940) - samotni svetovljan [1]
      John Cage's Aria viewed through the prism of contextual determination [1]
      John Tyrrell: Janáček: Years of a life, Vol. 1: (1854-1914), The lonely blackbird; Vol. 2: (1914-28), Tsar of the forest, Faber & Faber, London 2006, 2007 [1]
      JOSIP SLAVENSKI (1896–1955) Povodom 120. godišnjice rođenja kompozitora [On the Occassion of the 120th Anniversary of the Composer’s Birth]. Urednica Ivana Medić [Edited by Ivana Medić] Beograd, Muzikološki institut SANU, 2017. [Belgrade, The Institute of Musicology SASA, 2017] ISBN 978-86-80639-31-4 [1]
      Josip Slavenski 1896 - 1955: Povodom 120-godišnjice rođenja [1]
      Josip Slavenski and his times, Proceedings from the Conference [1]
      Josip Slavenski in der Korrespondenz mit Ludwig und Willy Strecker, den Direktoren des Verlags Schott, Mainz [1]
      Josip Slavenski's Moving Pictures - Music for Chamber Orchestra [2]
      Josip Slavenski: Sinfonia Orienta, a Synthesis of an Opus [1]
      Jugoslovenska elektroakustička muzika pre sedamdesetih: Produkcija i promocija na Muzičkom bijenalu Zagreb i na Jugoslavenskoj muzičkoj tribini [1]
      Julie C. Dunbar, Women, Music, Culture: An Introduction, Routledge, New York – London, 2011, pp. XIX+379 [1]
      Kameni cvijet Nikole Borote i natpisi na stećcima kao inspiracija: semantička i poetska ravan [1]