Now showing items 128-147 of 1374

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      Can music progress?: Reflections on the history of popular music [1]
      Can We Hear the Sounds of Quantum Superpositions? [1]
      Caractéristiques des œuvres pour piano d’Ivan Jevtić [1]
      Carnal encounters and producing socialist Yugoslavia: voluntary youth labour actions on the newsreel screen [1]
      Castor et Pollux by Jean-Philippe Rameau in the light of diferences between the two versions of the opera (1737, 1754) [1]
      Catherine II’s The Early Reign of Oleg: Sarti, Canobbio and Pashkevich Working Towards an Ideal [1]
      Central Rotation of Regular (and Irregular) Musical Poligons [1]
      Chanting of the Inner Space: On Symphonic and Concertante Works by Milorad Marinković [1]
      Chants in Honour of the Great Martyr Prince Lazar of Serbia in the Old Russian Notated Manuscripts [1]
      Children’s Rhythmical System in Songs of Serbian Vocal Heritage [1]
      Christian Troelsgård: Byzantine Neumes, a New Introduction to the Middle Byzantine Musical Notation Subsidia, vol. IX, Monumenta Musicae Byzantinae, Copenhagen: Museum Tusculanum Press 2011 [1]
      Chromaticism: A theoretical construction or a practical transformation? [1]
      Church Music : Ectoechos [1]
      Church Music in the Light of National Legislation in the Principality of Serbia and the Kingdom of Serbia [1]
      Collection of the Photographs in the Archive of The Institute of Musicology SASA [1]
      Common scale features of the recent Greek and Serbian church chant traditions [1]
      Communication and analogies between music and image: Dragutin Gostuški's theory of screen [1]
      Communion songs not regulated by the typicon in the recent tradition of Serbian church singing [1]
      Communist Ideology and Academic Education. A Case Study: World Music History as a Subject in Romanian Universities, 1948-2014 [1]
      Competitions as a form of public gusle playing performance [1]