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Tota depicta picturis grecis. The style and iconography of religious painting in medieval Kotor (Montenegro)
(Il Capitale culturale. Studies on the Value of Cultural Heritage, 2014)
The aim of the paper is to render a basic review of the circumstances of the setting up, recognition, duration and dissolving of religious painting in late medieval Kotor, which is in various sources and studies called ...
Идејне основе тематског програма живописа цркве Светог Димитрија у Марковом манастиру
(Универзитет у Београду, Филозофски факултет, 2017)
Предмет докторске дисертације јесте тематски програм живописа црквеСветог Димитрија у Марковом манастиру код Скопља. Рад је посвећен тумачењупрограмских особености и идејних основа тематског програма овог фреско ансамбла.Подизање ...
Култ Ермила и Стратоника у византијској престоници / The Cult of Hermylos and Stratonikos in the Byzantine Capital
(Београд : Балканолошки институт САНУ, 2022)
In the calendars of Eastern Christian churches, the Early Christian martyrs Hermylos
and Stratonikos of Belgrade – deacon Hermylos and prison guard Stratonikos
– are commemorated on 13 January and 1 or 2 June. They were ...
A travelling speculator (CIL III 1650) a glimpse of the everyday life of the principales through the window of Roman funerary art
(Belgrade : Institute for Balkan Studies SASA, 2016)
The focus of the paper is on the travel scene depicted on the funerary stele of L. Blassius Nigellio (CIL III 1650), a speculator of legio VII Claudia, from Viminacium. Seeking to gain a more comprehensive understanding ...
Lignum crucis у касносредњовјековном Котору / Lignum Crucis in late mediaeval Kotor
(Подгорица : Историјски институт Црне Горе, 2002)
The cult of the Wood of the Cross, during the 14th and 15th centuries, was present in art as well as in the religious and political life of Kotor, in various
ways. Speculation with respect to lignum crucis has implicated ...
On the trail of a painting bequeathed to St. George’s abbey on the islet near Perast: the testaments of Nycolaus and Johannes Glauacti (as of 1327 and 1336)
(Београд : Институт за историју уметности, Филозофски факултет Универзитета у Београду, 2014)
The paper reviews the last will of the Kotor nobleman Nycolaus Marini Glauacti made in 1327 to bequeath to St. George’schurch on the small island near Perast a depiction of the Madonna, St. Nicholas and St. John the Baptist. ...
Štovanje svete Katarine Sijenske u poznosrednjovekovnom Kotoru / The veneration of St. Catherine of Siena in Kotor in the late Middle Ages
(Подгорица : Историјски институт Универзитета Црне Горе, 2016)
Based on the available sources, the focus of analysis is the recognition of the cult of St Catherine of Siena in the late Middle Ages in Kotor, for whose spreading the Dominicans were credited. Based on the fresco ...
Помени олтарских слика у архивској грађи Котора из XV и с почетка XVI века - Madonna di Misericordia и Immaculata Conceptione / A Reference to Altar Paintings in the Kotor Archives ofthe 15th and the Beginning ofthe 16th Centuries - Madonna di Misericordia and Immaculata Conceptione
(Београд : Институт за историју уметности, Филозофски факултет Универзитета у Београду, 2005)
New iconographic themes, but also well-developed and enriched
older program solutions, are the most vivid expression of the
theological teaclùngs and piety of an epoch. One of the favorite
themes in European art at that ...
Sul legno della Croce: Dominican Hagiographic and Iconographic Models in the Formation of the Local Cult of the Blessed Osanna from Kotor
(Rijeka : Sveučilište u Rijeci, Filozofski fakultet, 2021)
The aim of the paper is to delineate the religious profile of the venerated local living saint Osanna from Kotor (1493-1565) through the typology of the sixteenth-century Dominican female living saints. The analysis of the ...
The Gap between Text, Image and Ritual as Iconological Problem. Two Examples from the Adriatic Coast
(Rijeka : Sveučilište u Rijeci, Filozofski fakultet, 2014)
Through the discussion of two practical “case studies”, the authors deal with a classical theme of iconographical studies, that is the complex relationship between text and image. The two examples explain in particular how ...