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Between the Real and the Imagined: Variola Vera Epidemic in the Area of Yugoslavia Through Film Narrative

dc.creatorMandić, Marina
dc.date.accessioned2020-01-30T13:53:03Z
dc.date.available2020-01-30T13:53:03Z
dc.date.issued2019
dc.identifier.issn0353-1589
dc.identifier.urihttps://dais.sanu.ac.rs/123456789/7080
dc.description.abstractNarativi o epidemijama infektivnih oboljenja, kako imaginarnih tako i onih koja su poznata ljudskim društvima postaju sve češća tema popularne kulture, a posebno filmske industrije. Kao jedna od stalno prisutnih pretnji tokom istorije čovečanstva, infektivna oboljenja su odigrala značajnu ulogu u oblikovanju i promeni društvenih zajednica i kao takva ostavila dubok kulturološki trag na društvene grupe i njihove savremene mitove. Variola, odnosno velike boginje ubrajaju se među najinfektivnija oboljenja sa kojima se čovečanstvo susrelo tokom svoje istorije, a bolest se javljala i na domaćim prostorima tokom različitih istorijskih perioda. Rad se bavi analizom načina na koje filmska industrija koncipira epidemije infektivnih oboljenja, prvenstveno na primeru filma Variola Vera smeštenog u jugoslovenski kulturni i društveni kontekst, kao i odnosima dramskog i stvarnog u reprezentaciji ove bolesti i njenih društvenih aspekata.sr
dc.description.abstractThe ideas about the epidemics of infectious diseases, both imagined and those that are known to human societies, are becoming more frequent topic of popular culture, that is the film industry. As one of the ever-present threats during the development of civilization through history, infectious diseases have played a significant role in shaping and changing social communities and, as such, have left a deep historical and cultural trace on social groups and their contemporary mythologies. Variola, that is smallpox, is among the most infectious diseases that human society has encountered in history, and the disease was also present on the territory of the former Yugoslavia during different historical periods. The paper deals with the Variola Vera film analysis, that is with the film ideas of the latest epidemic of the variola that occurred in the former Yugoslavia in 1972, in order to point out the ways in which the infectious diseases are presented on film, as well as the relation between historical data and film adaptation in the case of variola.en
dc.language.isosrsr
dc.publisherFilozofski fakultet Univerziteta u Beogradu, Odeljenje za etnologiju i antropologijusr
dc.relationinfo:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177026/RS//sr
dc.rightsopenAccesssr
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0/
dc.sourceEtnoantropološki problemi / Issues in Ethnology and Anthropologysr
dc.subjectfilm Variola Verasr
dc.subjectvelike boginjesr
dc.subjectepidemijasr
dc.subjectinfektivne bolestisr
dc.subjectJugoslavijasr
dc.subjectdruštveni kontekstsr
dc.subjectvariola verasr
dc.subjectsmallpoxsr
dc.subjectepidemicsr
dc.subjectinfectious diseasessr
dc.subjectYugoslaviasr
dc.subjectfilmsr
dc.titleIzmeđu stvarnog i zamišljenog: infektivna oboljenja u kinematografiji na primeru filma Variola Verasr
dc.titleBetween the Real and the Imagined: Variola Vera Epidemic in the Area of Yugoslavia Through Film Narrativeen
dc.typearticlesr
dc.rights.licenseBY-SAsr
dcterms.abstractМандић, Марина; Између стварног и замишљеног: инфективна обољења у кинематографији на примеру филма Вариола Вера; Између стварног и замишљеног: инфективна обољења у кинематографији на примеру филма Вариола Вера;
dc.citation.spage487
dc.citation.epage505
dc.citation.volume14
dc.citation.issue2
dc.identifier.wos000473310300004
dc.identifier.doi10.21301/eap.v14i2.4
dc.type.versionpublishedVersionsr
dc.identifier.fulltexthttps://dais.sanu.ac.rs/bitstream/id/28043/bitstream_28043.pdf
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_dais_7080


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