Identities expressed through practice of kaval playing and building in Serbia in 1990s
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This paper discusses the circumstances under which the building and playing of the kaval became topical in Serbia (Belgrade) at the end of twentieth century: the work of the Byzantine choir “Saint John of Damascus” and expressions of personal and group identities participating in the process, through indication of the elements of music structure related to the principles in eastern music cultures.
Keywords:
Serbia / the kaval / Byzantine chanting / Macedonian / ezgija / culture of the eastern Mediterranean / the musical EastSource:
Musical practices in the Balkans: Ethnomusicological perspectives, 2012, 183-202Publisher:
- Belgrade : SASA : Institute of Musicology of SASA
Funding / projects:
- Serbian musical identities within local and global frameworks: traditions, changes, challenges (RS-177004)
Note:
- Zbornik je štampan i na srpskom jeziku
Institution/Community
Музиколошки институт САНУ / Institute of Musicology SASATY - CONF AU - Jovanović, Jelena PY - 2012 UR - https://dais.sanu.ac.rs/handle/123456789/4103 UR - https://dais.sanu.ac.rs/123456789/6849 AB - This paper discusses the circumstances under which the building and playing of the kaval became topical in Serbia (Belgrade) at the end of twentieth century: the work of the Byzantine choir “Saint John of Damascus” and expressions of personal and group identities participating in the process, through indication of the elements of music structure related to the principles in eastern music cultures. PB - Belgrade : SASA : Institute of Musicology of SASA C3 - Musical practices in the Balkans: Ethnomusicological perspectives T1 - Identities expressed through practice of kaval playing and building in Serbia in 1990s SP - 183 EP - 202 UR - https://hdl.handle.net/21.15107/rcub_dais_6849 ER -
@conference{ author = "Jovanović, Jelena", year = "2012", abstract = "This paper discusses the circumstances under which the building and playing of the kaval became topical in Serbia (Belgrade) at the end of twentieth century: the work of the Byzantine choir “Saint John of Damascus” and expressions of personal and group identities participating in the process, through indication of the elements of music structure related to the principles in eastern music cultures.", publisher = "Belgrade : SASA : Institute of Musicology of SASA", journal = "Musical practices in the Balkans: Ethnomusicological perspectives", title = "Identities expressed through practice of kaval playing and building in Serbia in 1990s", pages = "183-202", url = "https://hdl.handle.net/21.15107/rcub_dais_6849" }
Jovanović, J.. (2012). Identities expressed through practice of kaval playing and building in Serbia in 1990s. in Musical practices in the Balkans: Ethnomusicological perspectives Belgrade : SASA : Institute of Musicology of SASA., 183-202. https://hdl.handle.net/21.15107/rcub_dais_6849
Jovanović J. Identities expressed through practice of kaval playing and building in Serbia in 1990s. in Musical practices in the Balkans: Ethnomusicological perspectives. 2012;:183-202. https://hdl.handle.net/21.15107/rcub_dais_6849 .
Jovanović, Jelena, "Identities expressed through practice of kaval playing and building in Serbia in 1990s" in Musical practices in the Balkans: Ethnomusicological perspectives (2012):183-202, https://hdl.handle.net/21.15107/rcub_dais_6849 .