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dc.creatorTomic Djuric, Marka
dc.date.accessioned2019-02-13T21:38:49Z
dc.date.available2019-02-13T21:38:49Z
dc.date.issued2014
dc.identifier.issn0350-1361
dc.identifier.urihttp://dais.sanu.ac.rs/123456789/4874
dc.description.abstractThis paper presents and interprets the iconographic programme of the frescoes in the lowest register of the sanctuary in the church of St Demetrios at Markov Manastir in the context of the relationship between mural decoration and the contemporary Eucharistic rite. In the first part of the paper special attention is paid to the scene in the north pastophorion, which illustrates the prothesis rite, and the depiction of the Great Entrance, placed in the sanctuary apse. The iconographic and programmatic features of the fresco ensemble, the most pominent place among which is occupied by the representations of the deceased Saviour and Christ the Great Archpriest - are compared to various liturgical sources and visual analogies (monumetal painting and liturgical textiles) in the medieval art of Serbia and Byzantium. [Projekat Ministarstva nauke Republike Srbije, br. 177003: Medieval heritage of the Balkans: Institutions and culture]
dc.relationinfo:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177003/RS//
dc.rightsopenAccess
dc.sourceZografen
dc.titleTo picture and to perform: The image of the Eucharistic Liturgy at Markov Manastir (I)en
dc.typearticleen
dc.rights.licenseBY-SA
dcterms.abstractТомиц Дјуриц, Марка;
dc.citation.spage123
dc.citation.epage141
dc.citation.issue38
dc.identifier.wos000209737400009
dc.identifier.doi10.2298/ZOG1438123T
dc.identifier.scopus2-s2.0-84930515699
dc.type.versionpublishedVersion
dc.identifier.fulltexthttp://dais.sanu.ac.rs/bitstream/id/15260/0350-13611438123T.pdf


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