Back to the Future: Popular Music and Time (18th Biennial IASPM Conference in Campinas, 2015)

dc.creator	Dumnić, Marija
dc.date.accessioned	2019-01-10T12:06:19Z
dc.date.available	2019-01-10T12:06:19Z
dc.date.issued	2016
dc.identifier.issn	0354-818X (print)
dc.identifier.issn	1821-3782 (online)
dc.identifier.uri	http://www.newsound.org.rs/pdf/en/ns47/144-146_Dumnic.pdf
dc.identifier.uri	https://dais.sanu.ac.rs/123456789/4766
dc.language.iso	en	sr
dc.rights	openAccess	sr
dc.rights.uri	https://creativecommons.org/licenses/by-nc-sa/4.0/
dc.source	New Sound: International Magazine for Music (47/1)	sr
dc.subject	popular music	sr
dc.subject	popular music studies	sr
dc.subject	modern time	sr
dc.title	Back to the Future: Popular Music and Time (18th Biennial IASPM Conference in Campinas, 2015)	en
dc.type	article	sr
dc.rights.license	BY-NC-SA	sr
dcterms.abstract	Думнић, Марија;
dc.citation.volume	144—146
dc.description.other	This review is written as a part of the projects City sonic ecologies: Soundscapes of Bern, Ljubljana and Belgrade, funded by the scientific co-operation between Eastern Europe and Switzerland andrealized at the Institute of Musicology SASA.	en
dc.type.version	publishedVersion	sr
dc.identifier.fulltext	https://dais.sanu.ac.rs/bitstream/id/14899/Back_to_the_Future_Popular_Music_and_Tim.pdf
dc.identifier.rcub	https://hdl.handle.net/21.15107/rcub_dais_4766