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dc.creatorPerić, Dragoljub Ž.
dc.date.accessioned2018-11-09T13:22:29Z
dc.date.available2018-11-09T13:22:29Z
dc.date.issued2013
dc.identifier.issn0350-7653
dc.identifier.urihttp://dais.sanu.ac.rs/123456789/4361
dc.description.abstractThis paper seeks to present time as one of the most important parameters in epic songs, shown in the example of temporal formulas. Time also represents the principle of organizing section sequences in the song (linear, successive and chronological, or discontinuous and retrospective). The paper further examines the temporal formulas in a broad and a narrow sense, with regard to whether the temporal markers refer to the narrative shifts in the development of the story, or to some archaic meanings related to expressions which mark the determinants of real time (year and its parts, days of the week, time of the day, etc.).en
dc.publisherBelgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts
dc.rightsopenAccess
dc.sourceBalcanica
dc.subjectformulaen
dc.subjecttimeen
dc.subjectepic songen
dc.subjectnarrationen
dc.subjecttime of dayen
dc.subjectdays of the weaken
dc.subjectparts of the yearen
dc.titleTemporal Formulas in Serbian Oral Epic Songsen
dc.typearticle
dc.rights.licenseBY-NC-SA
dcterms.abstractПерић, Драгољуб Ж.;
dc.citation.spage159
dc.citation.epage180
dc.citation.issueXLIV
dc.identifier.doi10.2298/BALC1344159P
dc.type.versionpublishedVersionen
dc.identifier.fulltexthttp://dais.sanu.ac.rs/bitstream/id/21312/4472.pdf
dc.citation.other(44): 159-180


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