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dc.creatorStošić, Ljiljana
dc.date.accessioned2018-11-09T13:20:38Z
dc.date.available2018-11-09T13:20:38Z
dc.date.issued2011
dc.identifier.issn0350-7653
dc.identifier.urihttp://dais.sanu.ac.rs/123456789/4323
dc.description.abstractThe engraving of the Finding of Moses from Caspar Luyken's Amsterdam (1694) and Nuremberg (1708) bibles served as a model for Teodor Kračun's painting for the small iconostasis of the Orthodox cathedral in Sremski Karlovci (1780), for the Viennese printer J. G. Mansfeld's frontispiece of Dositej Obradović's Poem of the Deliverance of Serbia (1789) and for Dimitar Zograf 's fresco in the vault of the exonarthex of the Rila Monastery (1843). Three different versions of the original copper engraving reveal how Luyken's Bible was used in support of the cause of religious revival and national liberation of the Serbs and Bulgarians in the Habsburg and Ottoman empires respectively in the late eighteen century and the first half of the nineteenth.en
dc.publisherBelgrade : Institute for Balkan Studies, Serbian Academy of Sciences and Arts
dc.relationinfo:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177006/RS//
dc.rightsopenAccess
dc.sourceBalcanica
dc.subjectCaspar Luyken's illustrated Bibleen
dc.subjectFinding of Mosesen
dc.subjectViennaen
dc.subjectTeodor Kračunen
dc.subjectSremski Karlovcien
dc.subjectJoseph Georg Mansfelden
dc.subjectBelgradeen
dc.subjectDositej Obradovićen
dc.subjectRila Monasteryen
dc.subjectDimitar Zografen
dc.titleCaspar Luyken's Illustrated Bible among the Serbs and Bulgarians in the Eighteenth and Nineteenth Centuriesen
dc.typearticle
dc.rights.licenseBY-NC-SA
dcterms.abstractСтошић, Љиљана;
dc.citation.spage37
dc.citation.epage48
dc.citation.issueXLII
dc.identifier.doi10.2298/BALC1142037S
dc.type.versionpublishedVersionen
dc.identifier.fulltexthttp://dais.sanu.ac.rs/bitstream/id/21272/4434.pdf
dc.citation.other(42): 37-48


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