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dc.contributorŠuvaković, Miško
dc.contributorDedić, Nikola
dc.contributorNikolić, Sanela
dc.creatorBralović, Miloš
dc.date.accessioned2018-10-31T12:34:03Z
dc.date.available2018-10-31T12:34:03Z
dc.date.issued2018
dc.identifier.issn2217-9666 (print)
dc.identifier.issn2406-1654 (online)
dc.identifier.urihttps://fmkjournals.fmk.edu.rs/index.php/AM/article/view/249/pdf
dc.identifier.urihttp://dais.sanu.ac.rs/123456789/4094
dc.description.abstractWhile re-thinking (or, from the perspective of our time, looking at) Modernism, and the concept of modernity, one must have in mind all the contradictions implied by the term. To paraphrase Susan Stanford Friedman, Modernism is (or was) both the culture of rebellion and ‘high’, elitist culture, both negation of tradition and a so-called master narrative. Modernism means different things to different people, but the problem is that, as Stanford Friedman points out, its definitions are not just different, but stand as opposites. Bearing that in mind, the main point of this paper is to try to define/explain/understand what the mentioned master narrative (in the Modernist practices of fine arts) is and how it was created. Is our re-thinking, or looking from a temporal distance, just a mere observation, or, is it inevitable to notice all the different narratives connected to different practices similarly to Jacques Derrida’s différence? In other words, were there that many narratives, would there even be a master one?sr
dc.language.isoensr
dc.publisherBelgrade : Faculty of Media and Communications, SIngidunum Universitysr
dc.relationinfo:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177004/RS//sr
dc.rightsopenAccesssr
dc.sourceAM Journal of Art and Media Studiessr
dc.subjectModernismsr
dc.subjectnarrativesr
dc.subjectfine artssr
dc.subject20th centurysr
dc.subjectVirginia Woolfsr
dc.subjectArnold Schönbergsr
dc.subjectVasily Kandinskysr
dc.titleLooking at the Master Narrative: A Possible Interpretation Strategysr
dc.typearticlesr
dc.rights.licenseBY-NC-NDsr
dcterms.abstractБраловић, Милош;
dc.citation.spage1
dc.citation.epage10
dc.citation.apa
dc.citation.issue16
dc.identifier.doi10.25038/am.v0i16.249
dc.identifier.cobiss192045324
dc.type.versionpublishedVersionsr
dc.identifier.fulltexthttp://dais.sanu.ac.rs/bitstream/id/12777/Bralovic_AM_Modernism.pdf


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