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Écoutant la musique de Pan: о онтолошком потенцијалу ʻпаузе’ у Дебисијевом делу Сиринкс / Écoutant la musique de Pan: Regarding the Ontological Horizons of ʻPause’ in Claude Debussy’s Syrinx
(Београд : Музиколошки институт Српске академије наука и уметности, 2021)
The basic thesis of this paper is that ʻpause’ represents the ontological center of Claude Debussy’s (1862–1918) Syrinx for solo flute (1913). The phenomenon of the musical work is interpreted through an ontological ...
Музичкотеоријски написи Властимира Трајковића у светлу залагања за ново вредновање српске уметничке музике / Music-Theoretical Writings of Vlastimir Trajković as a Reflection of His Advocating for a New Recognition of Serbian Art Music
(Београд : Музиколошки институт Српске академије наука и уметности, 2021)
In this paper I analyse selected articles by the composer and academician Vlastimir Trajković (1947–2017), published in various collective monographs and journals over the period of nearly three decades (1982–2008). These ...
Музичке критике Петра Бингулца у часопису Мисао: вредновање српске хорске музике и њених извођача / Petаr Bingulac's Music Criticism in Misao Magazine: Evaluations Of Serbian Choral Music and its Performers
(Београд : Музиколошки институт Српске академије наука и уметности, 2023)
This article is devoted to Petar Bingulac’s critiques of choral music published in the magazine Misao – a total of twenty-four reviews, most of which are on choral music and its performers. I discuss Bingulac’s selected ...
Композитор и његови критичари: рецепција стваралаштва Станојла Рајичића у светлу преломних догађаја за развој српске музике у XX веку / The Composer and his Critics: The Reception of Stanojlo Rajičić’s Works in the Light of Crucial Events for the Development of Serbian Music in the Twentieth Century
(Београд : Музиколошки институт Српске академије наука и уметности, 2021)
In this article we discuss the critical reception of the work of composer Stanojlo Rajičić (1910–2000), whose presence in the public musical life of Belgrade was noted already in the 1920s, when he was a student at the ...
Однос музичара према концертним активностима у првој години пандемије: београдски контекст / Musicians' Attitudes Towards Concert Activities in the First Year of the Pandemic: Belgrade Context
(Београд : Музиколошки институт Српске академије наука и уметности, 2021)
This paper is based on the intersection of studies of performing arts, music and digital media in the field of musicology, which I connected with empirical research of professional musicians' attitudes towards Belgrade ...
Часопис „Гусле“ (1911–1914) у историји српске музичке периодике / The magazine „Gusle“ (1911–1914) in the history of Serbian music periodicals
(Београд : Музиколошки институт Српске академије наука и уметности, 2021)
The Association of Serbian Singing Societies in Sombor started the magazine “Gusle” in May 1911. It was a monthly magazine with each issue sixteen pages long. In the introductory place in each issue “Gusle” brought extensive ...
Патријаршијски ифос у перцепцији јелинских појаца / Patriarchial Ifos in the Perception of Greek Church Chanters
(Београд : Музиколошки институт Српске академије наука и уметности, 2021)
The paper deals with the so-called patriarchal – Constantinople ifos in the recent church-singing tradition. Different aspects of this phenomenon are presented, about which numerous stereotypical attitudes have been expressed ...