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Modern oder Postmodern? Traditionalismus, Avantgarde oder Postavangarde? / Moderno ili postmoderno? Tradicionalizam, avangarda ili postavangarda?
(Музикологија / Musicology, 2006)
Mittelpunkt des Aufsatzes sind einige methodologische Probleme bei der Betrachtung der Kunst, bzw. Musik an der Schwelle der zwei Jahrhunderten. Anhang einiger Besonderheiten im Kompositionsverfahren von vier wichtigen ...
The stages of modernism in Serbian music / Etape modernizma u srpskoj muzici
(Музикологија / Musicology, 2006)
In order to consider this topic, it was first necessary to discuss certain problems of terminology and periodisation relating to musical modernism in general. It is already familiar the extent to which the terms "new music", ...
Rumänische Komponisten zwischen den 'gemäßigten', den 'radikalen' Moderne und der Postmoderne / Rumunski kompozitori između 'umerene' moderne, 'radikalne' moderne i postmoderne
(Музикологија / Musicology, 2006)
Debatten um die Begriffe Tradition, Moderne, Avantgarde und Postmoderne, wie sie in der europäischen Exegese erscheinen, sind im rumänischen Raum nicht minder gegenwärtig. Die gemäßigte und die radikale Moderne sowie die ...
Stochastic Jeux / Stohastičke Igre
(Музикологија / Musicology, 2006)
This article shows the similarities between Claude Debussy’s and Iannis Xenakis’ philosophy of music and work, in particular the formers Jeux and the latter’s Metastasis and the stochastic works succeeding it, which seem ...
Cut and paste pictures in surrealism / 'Lepak slike' u nadrealizmu
(Музикологија / Musicology, 2006)
Proceeding from the idea of the readymade, Marko Ristić’s, Vane Bor’s and Dušan Matić’s collages regroup readymade pictorial and textual matrices according to the rules of free associative syntax. Everything that they ...
Romanian experimental music between 1960-2000 / Rumunska eksperimentalna muzika između 1960. i 2000. godine
(Музикологија / Musicology, 2006)
This study has two parts: a general theory of experiment, and a descriptive part about Romanian experimental music in the second half of the 20th century. An experiment is an adventure and its nature depends on negation. ...
Between autonomy of music and the composer’s autonomy. Notes on modernisms and traditionalisms in Slovenian music of the 20th century / Između autonomije muzike i autonomije kompozitora. Beleške o modernizmima i tradicionalizmima u slovenačkoj muzici XX veka
(Музикологија / Musicology, 2006)
The aim of this article is to examine the relations between the old and the new in the context of 20th-century Slovenian music. The question about the old and the new is seen not only as a question of different facets of ...
The traditional and modern in church music: A study in canon and creativity / Tradicionalno i moderno u crkvenoj muzici - ogled o kanonu i inventivnosti
(Музикологија / Musicology, 2006)
Definitions of the terms "traditional" and "modern", relating to the chanting tradition of the Eastern Church, sprang from research into so-called kalophony - a specific compositional method that established melismatic ...
Different shapes of modernism/neoclassicism: Case study of Dušan Radić’s creative output / Različiti vidovi modernizma/neoklasicizma Dušana Radića
(Музикологија / Musicology, 2006)
This paper deals with musical neoclassicism in the context of modernism, and shows that some neoclassical features, usually considered to be reactionary and retrograde, could and should be understood as modernist. This ...
Entre avant-garde et trans-avant-garde: Sur quelques oeuvres de László Dubrovay des années 1980 / Između avangarde i transavangarde - o nekoliko dela Lasla Dubrovaja iz osamdesetih godina XX veka
(Музикологија / Musicology, 2006)
L’article présente un moment rare et exceptionnel dans l’histoire de la création hongroise des années 1980: quand László Dubrovay, compositeur hongrois, a pu réconcilier la tradition et l’innovation, l’avant-garde et le ...