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Kivy and Langer on expressiveness in music / Kivi i Langerova o ekspresivnosti muzike
(Музикологија / Musicology, 2013)
From 1980 onwards, Peter Kivy has put forward that music does not so much express emotions but rather is expressive of emotions. The character of the music does not represent the character or mood of the composer, but ...
Programming Gate-based Hardware Quantum Computers for Music / Програмирање квантних рачунара базираних на употреби логичких кола за потребе рада са музиком
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2018)
There have been significant attempts previously to use the equations of quantum
mechanics for generating sound, and to sonify simulated quantum processes. For
new forms of computation to be utilized in computer music, ...
Musik als Sprache oder strukturalistisches denken in der Musik am Beispiel Pierre Boulez / Muzika kao govor, ili strukturalistička misao o muzici na primeru Pjera Buleza
(Музикологија / Musicology, 2004)
Kaum ein anderer Begriff wurde iM Schrifttum über die Musik der fünfziger und sechziger Jahre derart strapaziert wie der Terminus Struktur. Struktur wurde zum Schlüsselwort iM Schreiben über Musik. In geradezu prekärem ...
Roman Ingarden’s theory of intentional musical work / Ingardenova teorija intencionalnog muzičkog dela
(Музикологија / Musicology, 2004)
Roman Ingarden (1893-1970) is a representative of the phenomenological trend in philosophy. He pursued his ontological interests in his fundamental treatise Das literarische Kunstwerk that was the starting point for his ...
The anthologion Athos Lavra E-108: A Greek-Slavonic liturgical manuscript / Antologija Atos Lavra E-108 grčko-slovenski liturgijski rukopis
(Музикологија / Musicology, 2011)
The codex Athos Lavra E-108 is a musical liturgical manuscript from the end of the 14th century. The change of the liturgical rite in the course of the 13th century was an important impulse for the development of the ...
Petar Bergamo’s symphonic compositions: Perspectives of the 1960s and 1990s / Simfonijske kompozicije Petra Bergama - sa gledišta šezdesetih i devedesetih godina XX veka
(Музикологија / Musicology, 2004)
This article deals with the orchestral opus of Petar Bergamo, a Croat composer whose most productive period was linked to Beograd, Serbia where he lived and worked at the time. In four works: First Symphony overture-phantasy ...
Instrumental'naja muzyka i ëtnoistoričeskaja identifikacija: Samosoznanie i tradicija / Instrumentalna muzika i etnoistorijska identifikacija - samospoznaja i tradicija
(Музикологија / Musicology, 2007)
Tema stat'i - rol' tradicionnyh muzykal'nyh instrumentov, žanrov i form instrumental'noj muzyki v vyjavlenii ëtničeskoj i kul'turno-istoričeskoj specifiki toj ili inoj ëtnokul'turnoj populjacii, pozvoljajuščej dat' ee ...
Cмеховое начало в белорусской песенной культуре как один из способов отражения картины мира / The principle of laughter in Byelorussian vocal culture as a form of reflection on images of the world
(Belgrade : Institute of Musicology, Serbian Academy of Sciences and Arts, 2014)
В статье рассматриваются способы организации музыкального материала
в белорусской смеховой песне, координация, взаимодействие различных художественных
сфер в смеховой песенной форме. Вербальное, музыкальное,
кинетическое, ...
Texture et matériau dans la pensée musicale contemporaine / Tekstura i materijal u savremenoj muzičkoj misli
(Музикологија / Musicology, 2003)
Le mot texture désigne, selon la définition du dictionnaire Robert, la disposition des fils d'une chose tissée, s'appliquant tout naturellement aux principles du tissage et, par extension, peut concerner l'arrangement d' ...
Style and ideology: The cold war 'blend' in Greece / Stil i ideologija - hladnoratovska 'smeša' u Grčkoj
(Музикологија / Musicology, 2008)
This paper describes cultural policy in Greece from the end of World War II up to the fall of the junta of colonels in 1974. The writer's object is to show how the Cold War favoured defeated Western countries, which ...