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      Наслови
      Can music progress?: Reflections on the history of popular music [1]
      Can We Hear the Sounds of Quantum Superpositions? [1]
      Catherine II’s The Early Reign of Oleg: Sarti, Canobbio and Pashkevich Working Towards an Ideal [1]
      Central Rotation of Regular (and Irregular) Musical Poligons [1]
      Chanting of the Inner Space: On Symphonic and Concertante Works by Milorad Marinković [1]
      Chants in Honour of the Great Martyr Prince Lazar of Serbia in the Old Russian Notated Manuscripts [1]
      Christian Troelsgård: Byzantine Neumes, a New Introduction to the Middle Byzantine Musical Notation Subsidia, vol. IX, Monumenta Musicae Byzantinae, Copenhagen: Museum Tusculanum Press 2011 [1]
      Chromaticism: A theoretical construction or a practical transformation? [1]
      Church Music in the Light of National Legislation in the Principality of Serbia and the Kingdom of Serbia [1]
      Common scale features of the recent Greek and Serbian church chant traditions [1]
      Communion songs not regulated by the typicon in the recent tradition of Serbian church singing [1]
      Communist Ideology and Academic Education. A Case Study: World Music History as a Subject in Romanian Universities, 1948-2014 [1]
      Competitions as a form of public gusle playing performance [1]
      Composer of the Revolution: Scriabin’s idea of the Mysterium – the total work of art [1]
      Composing with Quantum Information: Aspects of Quantum Music in Theory and Practice [1]
      Consequences of the Affective Turn: Exploring Music Practices from without and within [1]
      Contemporary Lithuanian Musical Folklore Releases: Widening the Experiences [1]
      Contemporary musical historiography and the problems of the methodological approach [1]
      Contemporary Urban Folk Music in the Balkans: Possibilities for Regional Music History [1]
      Contextualization of early modernism in Serbian music: Case studies of two works from 1912 [1]